Exposition Art Blog: July 2022

Donnamaria Bruton


 Donnamaria Bruton (1954 - 2012) was a painter and faculty member at the Rhode Island School of Design, known for her mixed media paintings and collages.
Bruton's style, described by The Providence Journal as "a loose free-flowing style.... but with a strong realistic streak," makes use of her drawing, painting and collage skills.Many of her collages employ mundane objects as the key to getting at a deeper memory or concept.Her first solo exhibit was in 1993 in Austin, Texas, and was well-received.
"Born in Milwaukee, Wisconsin, Donnamaria Bruton grew up in Detroit, and graduated from Michigan State University in 1976 where she earned her BFA in Graphic Design.  After graduation, Bruton continued her art career by studying art with her uncle, painter Edward Loper, Sr.  in Wilmington, Delaware.  During this time,  Bruton often visited the collection of art in the famous Barnes Foundation to study the collection.  Founded by Albert C. Barnes in 1922, the collection holds some of the most seminal works by Matisse, Cézanne, Renoir and Modigliani as well as important examples of African sculpture.  Bruton's entree to the Barnes resulted in a lifelong reverence for the work of Pierre Bonnard, Henri Matisse and are among Bruton's greatest influences along with abstract painter Cy Twombly.
In 1993, she joined the Painting Department as Professor at the Rhode Island School of Design.  Donnamaria Bruton's work has been included in numerous one-person and group exhibitions throughout the United States, including an early solo exhibition at Woman and Their Work, Austin, Texas as well as exhibiting abroad in Canada, Japan, France and Korean Biennial.  Donnamaria Bruton's work is in the permanent collection of the Black Studies Gallery, University of Texas, Austin, Newport Art Museum, RISD Museum, Yale University Art Gallery and many private collections."(cadetompkinsprojects.com)


Corinne Michelle West - Action Painting


 Corinne Michelle West (1908–1991) was an American painter; she also used the names Mikael and Michael West.She was an Abstract Expressionist.West was born in Ohio. She attended the Cincinnati Conservatory of Music before moving to the Cincinnati Art Academy in 1925.She moved to New York in 1932. She was Arshile Gorky's muse and probably his lover, although she refused to marry him when he proposed several times.She graduated from the Cincinnati Art Academy in 1930. After graduating and leaving the teachings of Hofmann, in 1934, West began studying under Raphael Soyer.In 1936 she had her first solo exhibition, at the Rochester Art Club; Also in 1936, she had begun to go by Mikael to obtain better opportunities, and after Arshile Gorky told her that the name "Corinne" sounded like that of a "debutante's daughter." Gorky suggestion however, is based on a real prejudice against women in the art world, such as with George Sand and George Elliot.In 1941 she began to use the name Michael, which she used in her regular life as well as her painting.She exhibited in Manhattan's prestigious Stable Gallery in 1953, and had a solo show in 1957 at the Uptown Gallery in New York City. In 1958 she had a one-woman show at the Domino Gallery in Georgetown, Washington, D.C.She also wrote poems; she wrote a series of 50 poems in the 1940s, including the poem The New Art in 1942. Later in 1968 she created a series of poem-paintings related to the Vietnam war.She was married briefly to Randolph Nelson in the 1930s, and in 1948 she married filmmaker Francis Lee, but they divorced in 1960.
The first major West Coast exhibit of her work was held posthumously at Art Resource Group's Newport Beach, California gallery in 2010.Wikipedia


Richard Konvička


Richard Konvička was born on April 30, 1957, in Prague – Died, 6 August 2021. 1973 to 1977, he studied at the Secondary School of Fine Arts in Prague and later at the Academy of Fine Arts (AVU) in Prague under the guidance of Professor Jan Smetana (1977-1983).

In 1990, he received a grant from The Pollock-Krasner Foundation, Inc., New York, to study abroad for half a year. Since 1997 he has been a member of Umělecká beseda arts association."Richard Konvička's work was and is up-to-date and is not easy to understand. He has his informed interprets (e.g. Richard Drury, Ivan Neumann), who have written the most important about it. Probably, even I can join them. Every new attempt at his ”portrait“ cannot avoid once already written. The author paints and also destructs. This seemingly ironic expression gives a true picture of the art program his work, points out the essential expressionistic and content components of his paintings, where sensuality softens (disturbs?, corrects?) the mind. Konvička´s art is stormy, stimulates, provokes; but it is also kind and especially human to be always contemporary in all these levels.His art attacks human senses and provides also testimony about his own turbulent spirit, which is too open for the surrounding world. Richard Konvička belongs to a relatively small group of artists, who are not afraid to get down searching for the new ways of art expression. It is historically nothing new that many soon used all the optimism of their Prometheus energy and integrated into the ”middle“ classic stream in art. Others have fallen through the professional routine and became uncreative epigones of their idols. Only a few remained and focused their attention on the search in themselves, with their own eyes, opinions and life. From their family comes also Richard Konvička, direct by nature, lustily tempered, robust (by art, not by his fi gure) painter. "(richardkonvicka.cz)
 More works on the website devoted to avant-garde art



Woman with a Cat


Milena Olesinska

Woman with a Cat

 Oil painting on canvas 100cm x 70cm / August 2021

For Sale - 650 EURO/  e-mail: milenaolesinska@wp.pl

My Website


Living Room Wall Art Ideas 

 Even the most modern and thoughtful interior will not look fully harmonious without wall decoration. A beautiful renovation of the apartment, expensive furniture, high-quality textiles, figurines - all this is the basis of the living room. But if the walls remain bare, even in the most beautiful interior you will feel uncomfortable. So, in addition to furniture and decor, it is important to choose paintings in the living room in order to achieve maximum unity of style and harmony.

Gerome Kamrowski - Abstract Surrealism


 Gerome Kamrowski (1914 –2004) was an American artist and participant in the Surrealist Movement in the United States.He was born in Warren, Minnesota and begun to study art in the early 1930s at the St. Paul School of Art , and later to the New Bauhaus in Chicago (now Illinois Institute of Technology's Institute of Design). He then moved to New York to study with Hans Hofmann, where he was awarded a Guggenheim fellowship.In the late 1930s and early 1940s he lived in New York and had been working with surrealist automatism for several years. Kamrowski became an integral part of the emerging surrealists and collaborated with William Baziotes, Robert Motherwell, Jackson Pollock and Roberto Matta. This group was the kernel of the open-ended movement that was referred to as abstract surrealism and would over time prove to be the beginnings of abstract expressionism.Gerome Kamrowski was one of the few American artists to be included in Peggy Guggenheim's The Art of This Century Gallery in 1943. He also had shows at Museum of Modern Art in New York 1951, Hirshhorn Museum and Sculpture Garden, and at the Whitney Museum of Modern Art at several occasions. His work can also be seen in the Joe Louis Arena station of the Detroit People Mover . He showed his work in the 1947 International Surrealist Exhibition in Paris. He was invited to the Paris exhibition by surrealist leader André Breton. Breton would say of him, "Gerome Kamrowski is the one who has impressed me the most by reason of the quality and sustained character of his research."In 1948 he moved to Ann Arbor, Michigan to teach at the University of Michigan School of Art. He stayed at the University of Michigan until his retirement 1982. Very few of his students over the next fifty years realized that their teacher was one of the most important artists in America. Gerome Kamrowski worked every single day at his art. He created massive domes of oil on canvas and brought strange, beaded animals to life. His work balances fluid automatism with powerful abstract imagery. The many layers of paint created a visual maze that clearly communicates an intuitive language with the viewer.Wikipedia