Exposition Art Blog

Edmund Kesting - European Avant-Garde Art

 

 Edmund Kesting ( 1892 –1970 ) was a German photographer, painter and art professor.
He studied until 1916 at the Dresden Academy of Fine Arts before participating as a soldier in the First World War, upon returning his painting teachers were Richard Müller and Otto Gussmann and in 1919 he began to teach as a professor at the private school Der Weg. In 1923 he had his first exposition in the gallery Der Sturm in which he showed photograms. When Der Weg opened a new academy in Berlin in 1927, he moved to the capital.He formed relations with other vanguardists in Berlin and practiced various experimental techniques such as solarization, multiple images and photograms, for which reason twelve of his works were considered degenerate art by the Nazi regime and were prohibited. He participated in the controversy between socialist realism and formalism that took place in the German Democratic Republic, therefore his work was not realist and could not be shown in the country between 1949 and 1959. In 1955 he began to experiment with chemical painting, making photographs without the use of a camera and only with the use of chemical products such as the developer and the fixer and photographic paper, for which he made exposures to light using masks and templates. Between 1956 and 1967 he was a professor at the Academy of Cinema and Television of Potsdam.His artistic work was not recognized by the authorities of the German Democratic Republic until 1980, ten years after his death.Wikipedia

 







Cleve Gray - Lyrical Abstraction

 

 "Cleve Gray (1918–2004) was an American painter best known for his calligraphic abstractions which melded elements of Abstract Expressionism, Color Field painting, and traditional Chinese scroll painting. Often contrasting flat applications of colors with gestural brushstrokes, Gray’s marks appears to float above the picture plane. Born Cleve Ginsberg on September 22, 1918 in New York, NY, he went on to study at the Phillips Academy in Andover,MA and later art history at Princeton University. In 1942, he enlisted in the army, going on to serve in Britain, France, and Germany during World War II. After the war ended, he remained in Paris, falling under the influence of Cubist painters like André Lhote before returning New York in 1946. In the 1960s, Gray developed a close friendship with the artist Barnett Newman, and slowly abandoned his Cubist tendencies, developed during his time in Paris, in favor of more color-based and gestural compositions. Gray gradually thinned his oil paints and eventually switched to acrylic to create washes of pigment. Gray died on December 4, 2004 in Hartford, CT. Today, his works are held in the collections of the Albright-Knox Art Gallery in Buffalo, The Museum of Modern Art in New York, the Phillips Collection in Washington, D.C., the Museum of Fine Arts in Boston, and the Whitney Museum of American Art in New York among others."(artnet.com)

 















Lino Mannocci

 

 "Lino Mannocci was born in 1945 - 2021;and was predominantly influenced creatively by the 1960s growing up. Historically established in the context of the Cold War, the 1960s epitomize an extremely powerful era which engendered a significant number of disruptions and challenged the order of all things. In Europe, The Iron Curtain and the Berlin wall would eternally mark people and beliefs, while in the U.S, events such as the Cuban missile crisis and Vietnam war would forever influence generations to come. From education to gender issues and ideologies, a re-definition of social standards in Western society developed, with revolutionary philosophies and movements evolving in a cradle of inventiveness. Honesty and an emptiness of emotions were key concepts in the highly influential movement of Minimalism, represented by artists like Frank Stella, Donald Judd and Agnes Martin. Uninterested in the gestural elements of Abstract Expressionism, Minimalist artists focused on delivering artworks mainly gathering polished, clean lines and geometrical elements. The very first blossoming of Conceptualism was highly influenced by the simplicity of Minimalism but went further in denying all pre-defined conceptions inherent to art, similarly to what Pop Artists were trying to achieve by uplifting popular culture to the status of high art. Several schools of philosophy profoundly influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally persuaded by the ideologies of Existentialism, who achieved worldwide success through their depiction of the human form and the anguish often associated with the human condition. globally, an important number of art movements resounded with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni created Spatialism, while in Germany, the Zero group adopted similar ideas under the leadership of Günther Uecker."(artland.com)

 

















Rosalie Gascoigne

 

 Rosalie Gascoigne  (1917 –1999) was a New Zealand-born Australian sculptor and assemblage artist. She showed at the Venice Biennale in 1982, becoming the first female artist to represent Australia there. In 1994 she was awarded the Order of Australia for her services to the arts. Rosalie Gascoigne is renowned for her sculptural assemblages of great clarity, simplicity and poetic power. Using natural or manufactured objects, sourced from collecting forays, that evoke the lyrical beauty of the Monaro region of New South Wales, her work radically reformulated the ways in which the Australian landscape is perceived. During the many lonely years spent raising her three children, Gascoigne found solace by making natural assemblages first via traditional flower arranging then later with the rigorous Japanese art form Sogetsu Ikebana. Her work in this medium was outstanding, earning praise from Japanese master and founder of the Sogetsu School of Ikebana, Sofu Teshigahara. Nevertheless, by the late 1960s, she had become dissatisfied with the limitations of the medium and started experimenting first with small scrap iron sculptures and later wooden boxed assemblages, all composed of materials she found while on scavenging expeditions in the fierce, sunburnt landscape of Australia. While the Australian landscape was initially a shocking change from the damp green hills of her familiar New Zealand, by this time, she had come to love the "boundless space and solitude" of her new home. Much of her art reflects this, though some also harks back to her roots in New Zealand.