Exposition Art Blog

Henriette Fauteux-Masse - Abstract Art in Canada

 

 Henriette Fauteux-Masse (1924 –2005) was a Canadian painter living in Quebec.She was born in Coaticook and was first interested in dance. She later began painting, being largely self-taught. She visited New York City three times between 1946 and 1948, talking to artists and visiting museums. In 1951, she received a scholarship from the Quebec government which allowed her to study in Paris with André Lhote. She was known for her abstracts, landscapes and portraits. She participated in a number of shows in Quebec and in Paris. Fauteux-Massé was a founding member of the Conseil de la peinture and a member of the Non-Figurative Artists' Association of Montreal and the Société des artistes professionels du Québec.Scholar Sandra Paikowsky says: "Fauteux-Massé’s work has a particular elegance that derives from its sense of restraint and composure, but also from an undercurrent of whimsy that discloses the sensuousness of the impastoed surface and its rhythmic brush marks."Wikipedia

 

















Jiro Takamatsu - Japanese Contemporary Art

 

 Jiro Takamatsu (1936 –1998) became one of the most influential and important artists making art in Japan during the 1960s and 1970s. Working in the fertile ground between Dada, Surrealism, and Minimalism for almost four decades, Takamatsu used photography, sculpture, painting, drawing, and performance to create fundamental investigations into the philosophical and material origins of art.
Born in 1936 in Tokyo, Takamatsu formed the collective Hi Red Center in 1963 with Genpei Akasegawa and Natsuyuki Nakanishi, participating in actions carried out in Tokyo that sought to eliminate the boundary between art and life. In 1964, he began making his signature Shadow Paintings (which he continued until the end of his life), a critical inquiry into the formal genesis of painting. In 1972–73, he created the seminal series Photograph of Photograph, which raised questions regarding issues of appropriation and memory. Between 1968 and 1972, he taught at Tama Art University, Tokyo, and was a key figure in the development of the Mono-ha movement. Wikipedia