Alberto Savinio real name Andrea Francesco Alberto de Chirico (25 August 1891 – 5 May 1952) was an Italian writer, painter, musician, journalist, essayist, playwright, set designer and composer. He was the younger brother of 'metaphysical' painter Giorgio de Chirico. His work often dealt with philosophical and psychological themes, and he also was heavily concerned with the philosophy of art.Throughout his life, Savinio composed five operas and authored at least forty-seven books, including multiple autobiographies and memoirs. Savinio also extensively wrote and produced works for the theater. Savinio's work received mixed reviews during his lifetime, often due to his pervasive use of modernist techniques. He was influenced by and a contemporary of Apollinaire, Picasso, Jean Cocteau, Max Jacob, and Fernand Léger, and had a significant influence on the surrealist movement.(....) 1927, he gave his first one-man show as a painter, at the Bernheim Gallery in Paris. Savinio's contributions to the Avant-Garde movement during this period sharply contrast with the provincialism that was favored by the National Fascist Party in Italy at this time. Angelica o la Notte di Maggio (Angelica or the Night in May), which was a parodical and surreal revisitation of the Ancient Greek myth of Eros and Psyche was published this year, as well. The novel tells the story of Angelica- a poor actress working in a second rate theater in Greece at the end of the nineteenth-century and Baron Felix Von Rothspeer, a loveless, older aristocrat. In many ways, Savinio makes the theater a central character in the plot; it is painted as a place where the senses and romance can be deeply explored and discovered.Judgments of Savinio's work varied wildly depending on the phase of his life and the reviewer. Many of Savinio's most critically praised works are also amongst his most disliked and misunderstood. This is largely due to Savinio's frequent and controversial use of modernist techniques for creative expression.From a very young age, Savinio's piano playing impressed critics nearly unanimously. Guillaume Apollinaire once said of Savinio's piano playing: " I was surprised and beguiled; Savinio mistreated his instrument so much that after each piece the keyboard had to be cleared of chips and splinters. I foresee that within two years he will have gutted every piano in Paris. Savinio will then go on to destroy every piano in the universe, which may be a true liberation."Judgment of his body of work as a whole was seen in 1954, when the Venice Biennale created a room devoted solely to Savinio's artistic legacy.According to the art historian Jean Clair, the works of Savinio and his brother Giorgio de Chirico were the basis of both the surrealist movement and magic realism.Wikipedia
Painting is like silent poem, said Simonides, poet from ancient Greece.Paintings are icons, doors to the Platonian world above the heavens. Paintings on my blog are just those icons, which lead a viewer into the magic world of harmony and beauty. Artists who present their achievements on my blog have a very different cultural and national background, they represent variety of artistic traditions and schools
Showing posts with label Alberto Savinio. Show all posts
Showing posts with label Alberto Savinio. Show all posts
Alberto Savinio
Alberto Savinio real name Andrea Francesco Alberto de Chirico (25 August 1891 – 5 May 1952) was an Italian writer, painter, musician, journalist, essayist, playwright, set designer and composer. He was the younger brother of 'metaphysical' painter Giorgio de Chirico. His work often dealt with philosophical and psychological themes, and he also was heavily concerned with the philosophy of art.
Throughout his life, Savinio composed five operas and authored at least forty-seven books, including multiple autobiographies and memoirs. Savinio also extensively wrote and produced works for the theater. Savinio's work received mixed reviews during his lifetime, often due to his pervasive use of surrealism. He was influenced by and a contemporary of Apollinaire, Picasso, Jean Cocteau, Max Jacob, and Fernand Léger.Wikipedia
Throughout his life, Savinio composed five operas and authored at least forty-seven books, including multiple autobiographies and memoirs. Savinio also extensively wrote and produced works for the theater. Savinio's work received mixed reviews during his lifetime, often due to his pervasive use of surrealism. He was influenced by and a contemporary of Apollinaire, Picasso, Jean Cocteau, Max Jacob, and Fernand Léger.Wikipedia
Between 1905 and 1910 his family resides in Monaco, where Savinio continues the musical studies already initiated in Greece. With his brother is formed on the theses of the thinkers most stimulating of the moment (Nietzsche, Schopenhauer, Bergson). Between 1910 and 1915, he has many contacts with Paris and becomes a close friend of Guillaume Apollinaire, through whose magazine meets Picasso, Picabia, Brancusi, Jacob, Cocteau and Cendrars. All this environment modeling their critical spirit and conditions your choice in literature of the grotesque and the absurd. Throw a musical stream called Sincerismo, which Apollinaire interpreted as a transposition into music of De Chirico's metaphysical painting. In Ferrara he meets his brother Giorgio, De Pisis, Carrà and later Morandi; the union of these artists is called school metaphysics in 1916. At the end of the war is set in Milan and then in Rome, where they meet a group of artists around Mario Broglio and his magazine Valori Plastici.En 1926, installed in Paris, Jean Cocteau makes the presentation of a wide exhibition in the Gallery Berheim, (...)which already shows a mature and highly personal, language although you will notice a certain dependence of Chirico in his references to classical mythology reviewed... Savinio painting is an exercise in memory, but on the canvas memories are associated with shadows of dream and the ghosts of the imagination (...) (Fonti). Until the year 1932 it has contact with the Surrealists. Later, Savinio will declare that its surrealism (...)not content to represent review it and express the unconscious but he wants to give shape to the report and awareness to the unconscious (...).He began to exhibit in Italy in 1932 and obtains a success making it to settle in Milan. At the end of the 1930s paints portraits with a wise psychological inquiry. In 1948 he actively began his collaboration with La Scala in Milan as a stage designer. It is interested in the idea of metamorphosis.He died in Rome on May 5, 1952.(thebiography.us)
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