Michel Mandurino

 Artistic Photography

Painting 

My works are based on magic, esoterism and oniric vision. I like the pre-christian art and the old gods representation. Now i'm focused on drawing and painting the esoteric world of the western culture.

Luca Alinari - Fantastical Landscapes

Luca Alinari ( 1943 –  2019) was an Italian painter.
Alinari was born in Florence. Self-taught, he made his debut in 1968 with his first one-man show at the Galleria Inquadrature in Florence. During the 1970s he began an intense research on the free juxtaposition of objects and figures within a fantastical and suspended atmosphere, influenced by Neo-Dada and Pop Art research. During those years he experimented with various pictorial techniques, combining fluorescent colours, decalcomania, collage and photographic transpositions. Between 1972 and 1973 he exhibited in the main private galleries in Florence, presented by his friend the poet Alfonso Gatto.During the 1980s he gained official recognition through his participation in the 40th Venice Biennale (1982) and in the 11th Rome Quadriennale (1985). In 1993 he had his first retrospective mounted at the Royal Palace of Milan Museum, where he showed a group of works spanning his whole artistic career. The exhibition signalled the beginning of his series of fantastical landscapes characterised by bright, vivid colours and a pictorial technique combining thickly applied pigment with refined fields of smooth, transparent colour. Wikipedia

Vasco Bendini - Art Informel - European Abstract Expressionism

Vasco Bendini (27 February 1922 – 31 January 2015) was an Italian informalist painter.
Born in Bologna, Bendini studied at the Bologna Academy of Fine Arts, under Giorgio Morandi and Virgilio Guidi. In 1956 he participated in the XXVIII Venice Biennale, followed by a solo room in the 1964 edition and in the 1972 edition.
After a period close to informalism, especially to the "last naturalism" theorized by Francesco Arcangeli (it), Bendini went through Neo Dada, Arte Povera and conceptual phases, but, then from the 1970s on he returned to working in Informalism

Jannis Kounellis - Arte Povera

Jannis Kounellis ( 23 March 1936 – 16 February 2017) was a Greek Italian contemporary artist based in Rome. A key figure associated with Arte Povera, he studied at the Accademia di Belle Arti in Rome.n 1967, Kounellis became associated with Arte Povera, a movement theorized by curator Germano Celant as a major shift from work on flat surfaces to installations. Kounellis participated in the exhibition 'Arte Povera – e IM Spazio' at the La Bertesca Gallery in Genoa curated by Celant, which brought together artists whose work was concerned with the space between art and life, and nature and culture. Examples of artists who substantiated this basis of Arte Povera as a movement include Alighiero Boetti, Luciano Fabro, Giulio Paolini, Pino Pascali and Emilio Prini. To solidify the movement, Celant curated yet another group show, 'Arte Povera', which was exhibited at the De' Foscherari gallery in Bologna in 1968 with similar artists. In the same year Kounellis exhibited 'Senza titolo (Untitled)', which consisted of raw wool, rope and a wooden structure all leaning against a wall. Finally, Kounellis was also included in 'RA3 Arte Povera + Azioni povere' which was organized by Marcello Rumma and curated by Celant.In 1967, Kounellis installed "live birds in cages along with rose-shaped, cloth cut-outs pinned to canvas" alongside his painting. Through this shift in his work, "Kounellis was more interested in anarchical freedom from linguistic norms and conventional materials. The space of the gallery and the exhibition site in general were transformed into a stage where real life and fiction could join in a suspension of disbelief." The viewers became part of the scene of these living natural sources of energy within the gallery space. He continued his involvement with live animals later in 1969, when he exhibited twelve living horses, as if they were cars, in the Galleria l'Attico's new location in an old garage in Via Beccaria. Gradually, Kounellis introduced new materials, such as propane torches, smoke, coal, meat, ground coffee, lead, and found wooden objects into his installations. He also looked beyond the gallery environment to historical (mostly industrial) sites. In 1997, Kounellis installed thirteen wardrobes and two doors that were sealed in lead along a scaffolding ledge that blocked the entry to a central hall. In 1968, in an interview by Marisa Volpi, Kounellis stated that incidental adjustments are certain as aspects that can indicate the human liberty of life.Wikipedia