Exposition Art Blog: French painter
Showing posts with label French painter. Show all posts
Showing posts with label French painter. Show all posts

Jean Fautrier - Art Informel

 

 Jean Fautrier (1898 –1964) was a French painter, illustrator, printmaker, and sculptor. He was one of the most important practitioners of Tachisme.Jean Fautrier was born in Paris in 1898. He was given his unwed mother's surname and raised by his grandmother until she and his father both died in 1908. He then moved to London to be with his mother. There, in 1912, he began to study at the Royal Academy of Arts. Unsatisfied by instruction he thought too rigid, he left to study briefly at the Slade School, which was reputed to be more avant-garde. He was disappointed again and decided to go it alone, devoting himself to painting. The works he saw in the Tate Gallery made a far greater impression on him; he especially admired the paintings of J. M. W. Turner. He was called up for the French Army in 1917, but was discharged in 1921 due to his poor health. He first exhibited his paintings at the Salon d'Automne in 1922 and at the Fabre Gallery in 1923. It was at the Galerie Fabre that he met art dealer Jeanne Castel, his first collector and friend. In 1923 he began producing etchings and engravings. His first solo exhibition was at the Galerie Visconti in Paris, in 1924.
In 1927, he painted a series of pictures (still lifes, nudes, landscapes) in which black dominates. In 1928 he met André Malraux through Castel. Malraux asked Fautrier to illustrate a text of his choice, but copyright issues kept him from using his first choice, Arthur Rimbaud’s ‘’Les Illuminations’’, and he settled instead with Dante’s Inferno. He produced 34 lithographs, but the publication, proposed by Gallimard, was deemed impossible and the project was abandoned in 1930. Until 1933 he divided his efforts between sculpture and painting. Short on funds, he spent the years 1934–1936 living in the resort of Tignes, where he made his living as a ski instructor and started a jazz club.
In 1939, just as World War II was beginning, Fautrier left the mountains, moving to Marseille, Aix-en-Provence, and Bordeaux before finally returning to Paris in 1940 and starting to paint once again. In Paris he met several poets and writers for whom he created illustrations. In January 1943, he was arrested by the German Gestapo. After brief imprisonment, he fled Paris and found refuge in Châtenay-Malabry, where he began work on the project of the Otages (or "Hostages"). These paintings were a response to the torture and execution of French citizens by the Nazis outside his residence, and were exhibited in 1945 with the Drouin gallery. In the years that followed, Fautrier worked on the illustrations of several works, among them L'Alleluiah by Georges Bataille, and made a series of paintings devoted to small familiar objects.
His late work is abstract, generally small in scale, often combining mixed media on paper. In 1960 he won the international grand prize at the Venice Biennale as well as another major award at the Tokyo Biennale the following year. He died in Châtenay-Malabry in 1964, the same year in which he had made donations to the Musée de l’Ile-de-France in Sceaux and Musée d’Art Moderne de la Ville de Paris. A retrospective of his work opened there later that year. and was organized by the Gianadda Foundation at Martigny in January–March 2005.Wikipedia

 













 


Albert Bitran - Lirical Abstraction

 

 "Born in Instanbul, Albert Bitran studied at the Collège Saint-Michel there where he passed the French and Turkish Baccalauréats. At the age of 17, he went to Paris to study architecture but abandoned this quickly to concentrate on painting.
At the time of his first solo exhibition of his geometric works, in 1951 at the Galerie Arnaud, a meeting place for the avant-garde of Saint-Germain-des-Prés, he was only twenty years old. He participated in many events, including the first exhibition of abstract art in Caracas and “Divergences” in Paris at the Théâtre de Babylone. In 1954, he exhibited at the Galerie Denise René, with a preface by Henri-Pierre Roché who gave him access to his prestigious collection and rented him a room on the Boulevard Arago where he painted.
However, leaving geometric abstraction, Bitran turned towards an intellectual form of painting which he would continue to the end of his life. He spent long periods of time in the south of France and his first studies are related to landscape, a theme he developed until Naissance d’un Paysage, a large collage of 1956 that was included in the exhibition “L’Envolée Lyrique3” at the Musée du Luxembourg in 2006."(galerie-trocmez.fr)

 



 



 







Jacques Monory - European Pop Art


Jacques Monory ( 1924 – 2018) was a French painter and filmmaker whose work, highly influenced by photography and cinema, is an allegory of the contemporary world with a focus on the violence of everyday reality. His canvases evoke a heavy atmosphere, pulling subject matter from modern civilization through the lens of his signature monochrome color blue.His work, along with the movement, was developed out of an opposition to the informal painting that typified the era. Not to be mistaken for Pop Art, Monory has said; “What has developed in France has moved away from American Pop Art, we have expressed a critical narrative of society while the Americans have almost always, in my opinion, embraced their system.”
The artist’s numerical painting titles and monochromatic color schemes, typically in his signature blue, act to distinguish his work within the movement. Many of his compositions are both drawn from and embedded with photographs of news media and film. He presents the ephemerality of media as cinematic sequences, occasionally appearing as painterly collages and others in diptychs and triptychs.

















Albert Bitran - Lyrical Abstraction


Albert Bitran (1931 in Istanbul, Turkey – 9 November 2018 in Paris, France) was a French painter, engraver and sculptor. Albert Bitran was born in 1931, in a Jewish Sephardic family, in Istanbul, Turkey. After his studies at the French Collège Saint Michel, having both diplomas in French and Turkish, he is admitted in the Ecole Spéciale d’Architecture, in Paris.
"As a young man of 20, he has his first solo exhibition at the prestigious Galerie Arnaud, where he exhibits his geometrically inspired paintings. In 1954 he exhibits at Galerie Denise René, where he meets writer and patron Henri-Pierre Rochée, who writes the preface for the catalogue. Rochée is deeply engaged in the artistic avant-garde, and quickly takes the young artist under his wing.
By the end of the 1950s Bitran begins to experiment with a more liberated, expressive style, where his art is characterised by the interaction between linear shapes. The works are inspired by lyrical prize and contains architectural elements. He exhibits several times at Galerie Ariel, who’s prominent owner Jean Pollack shows a great interest in abstract painting.Bitran becomes a French citizen in 1958, and creates a printing workshop in Rigny-le-Ferron. Through this he begins to work with various graphic techniques, in particular etching and lithography. Bitran has his first exhibit with Galerie Birch in 1961. This is Bitran’s first show in Scandinavia, of which there are numerous in the following years; 1963, 1964, 1965, 1967, 1974, 1979 and 1983.
Today, his work is represented at leading galleries and museums worldwide."(galeriebirch.com)