Exposition Art Blog: master of photography
Showing posts with label master of photography. Show all posts
Showing posts with label master of photography. Show all posts

Jan Groover - Fine Art Photography

Jan Groover (April 24, 1943 – January 1, 2012) was an American photographer who spent the last part of her life in Montpon-Menesterol, France, with her husband, a painter and critic named Bruce Boice. Groover was born in Plainfield, New Jersey and died in 2012 at Montpon-Ménestérol.Groover received a Bachelor of Fine Arts degree in 1965 from Pratt Institute, and a Master of Arts in 1970 from Ohio State University.Groover was noted for her use of emerging color technologies. In 1979, Groover began to use platinum prints for portraits and still lifes, transforming everyday items into beautiful, formal still lifes. In 1987, critic Andy Grundberg noted in The New York Times, “In 1978 an exhibition of her dramatic still-life photographs of objects in her kitchen sink caused a sensation. When one appeared on the cover of Artforum magazine, it was a signal that photography had arrived in the art world - complete with a marketplace to support it.”Groover also used early 20th century camera technology, such as the banquet camera, for elongated, horizontal presentations of otherwise pedestrian items. In a New York Times review of Groover’s work exhibited at Janet Borden Inc., New York, in 1997, critic Roberta Miller called Groover’s work “beautiful and masterly in the extreme.”Jan Groover’s work was the subject of a mid-career retrospective at the Museum of Modern Art in 1987, for which an accompanying catalogue was printed. Her work has also been the subject of one-person exhibitions at the Baltimore Museum of Art; Cleveland Museum of Art; the Corcoran Gallery of Art, Washington, DC; and the International Museum of Photography, George Eastman House, Rochester, New York.Wikipedia

















Black and white photography Pedro Luis Raota

"Pedro Luis Raota was one of the 20th century's most important photographers. Since his first recognition in 1958, he garnered over 150 international awards and honors for his exceptional work in the humanitarian genre. His photographs have been exhibited at the Museum of Modern Art in New York and are included in public and private collections around the world.
Raota's unique and memorable talent for capturing the depth of human spirit in his photographs has brought him comparisons to other legendary photographers. Like Dorothea Lange or W. Eugene Smith, this Argentinian master presents haunting portraits of a stricken humanity. Other photographs are filled with joy or comical confrontations, spontaneous "decisive moments" akin to Cartier-Bresson or Robert Doisneau. There is a rare focused intensity of spirit in nearly all Raota's portraits, which has been compared to the work of Paul Strand. In the final analysis however, these extraordinary images step beyond comparisons to other photographers and stand apart as powerful masterpieces, unique and singularly moving.








 This is a personal collection of work that comes from the heart of a Latin tradition stretching back through Goya to Ribera, and forward to contemporary Spainish cinema. Emotion is conveyed through an isolated face; gestures of people pictured together bind them into interdependent relationships; suffering is contained in dignity. Raota's artistry ranges from the sweetness of young innocence to raw realism. His compositions are as classical as the lighting is dramatic, yet without artifice. Each photograph becomes a direct, spontaneous glimpse into the life of his subject. The image lingers in our memory long after viewing. This unusal body of work adds a quality of personal feeling to the contemporary world of photography.
Raota has been called "one of the ten best photographers in the world" for the significant number of distinguished honors and awards he received from juries on five continents. Raota's images possess an unmistakable and distinctive style forged from a spirit of infinite tenderness, raw realism and deep humanity. His visual trademark - light highlights against a dark background - are recognizable at first glance and leave a powerful signature across virtually all his work. Today he stands apart from the rest of the world's renowned documentary photographers for the brilliant clarity of his darkroom craft as well as the engaging humanity and sophistication of his compositions. To the end of his life, Raota painstakingly made each print individually by his own hand.
Pedro Raota was born in Argentina on April 26, 1934 in a modest country home in the Province of El Chaco. At a young age he sold his bicycle to buy a camera, determined to learn the art of photography. He quickly took up portrait photography in Santa Fe de la Vera Cruz and later moved to Villaguary where he enthusiastically set up his own studio...."(photographywest.com)