Exposition Art Blog: collage
Showing posts with label collage. Show all posts
Showing posts with label collage. Show all posts

Michael "Mike" Kelley

 

 Michael "Mike" Kelley (1954 - 2012) was an American artist. His work involved found objects, textile banners, drawings, assemblage, collage, performance and video. He often worked collaboratively and had produced projects with artists Paul McCarthy, Tony Oursler and John Miller. Writing in The New York Times, in 2012, Holland Cotter described the artist as "one of the most influential American artists of the past quarter century and a pungent commentator on American class, popular culture and youthful rebellion
Kelley gained recognition in the 1980s for his work with children's soft toys and other found materials. With these materials, he examined popular culture, memories and fragmented narratives.
Children's toys also function in Kelley's work as a satirical metaphor. Deodorized Central Mass with Satellites (1991–99) consists of suspended balls created from discarded, brightly coloured toys. By transforming children's toys into serious sculpture, Kelley visualised a darker side to the American dream's endorsement of excessive consumption and reckless luxury collecting, and intermingled the 'low' and the 'high' of American culture. He also deodorised his suspended sculptures, mocking America's selective amnesia of unpleasant realities.

 











Vladimir Yankilevsky - Russian Contemporary Art


Vladimir Borisovich Yankilevsky (February 15, 1938, Moscow – January 4, 2018, Paris) was a Russian artist known mostly for his participation in the Soviet Nonconformist Art movement of the 1960s through the 1980s. Perhaps his most famous works are his triptychs, works that are difficult to classify, occupying a unique middle ground between painting, and sculpture, similar in some ways to Rauschenberg's combines. On the most basic level, these works use disorienting, often nightmarish imagery to paint a picture of restrictive mental states associated with daily life in the Soviet Union, and with the human condition in general. He is also known for having participated in the Manezh Art Exhibit of 1962, during which Nikita Khrushchev famously chastised the Nonconformist Art Movement as degenerate. Yankilevsky last lived in Paris, France with his wife Rimma.Wikipedia















Purvis Young - Outsider from Overtown - Avant Garde Art


Purvis Young (February 4, 1943 – April 20, 2010) was an American artist from the Overtown neighborhood of Miami, Florida. Self-taught, Young's work was often a blend painting/drawing with collaged elements utilizing everyday discarded found objects.
Inspired by documentaries, (art)books, American history and spiritual folklore his visual vocabuluary was vast; wild horses, urban landscapes, (self) portraits, figures, holymen, angels, warriors, boats, sports, musicians, erotica, processions and incarceration to name but a few....(purvisyoung.com).
Purvis Young was born in Liberty City, a neighborhood of Miami, Florida, on February 2, 1943. As a young boy his uncle introduced him to drawing, but Young lost interest quickly.He never attended high school.
As a teenager Young served three years (1961–64) in prison at North Florida's Raiford State Penitentiary for breaking and entering. While in prison he would regain his interest in art and began drawing and studying art books.When released, he began to produce thousands of small drawings, which he kept in shopping carts and later glued into discarded books and magazines that he found on the streets. He proceeded to move into the Overtown neighborhood of Miami.Young found himself attracted to a vacant alley called Goodbread Alley, which was named after the Jamaican bakeries that once occupied the street; he would start living there in 1971.In the early 1970s Young found inspiration in the mural movements of Chicago and Detroit, and decided to create a mural of inspiration Overtown.He had never painted before, but inspiration struck and he began to create paintings and nailing them to the boarded up storefronts that formed the alley. He would paint on wood he found on the streets and occasionally paintings would "disappear" from the wall, but Young didn't mind. About two years after starting the mural, tourists started visiting the alley, mainly white tourists. Occasionally Young would sell paintings to visitors - tourists and collectors alike - right off the wall. The mural garnered media attention, including the attention of millionaire Bernard Davis, owner of the Miami Art Museum. Davis became a patron of Young's, providing him with painting supplies as well. Davis died in 1973, leaving Young a local celebrity in Miami.
In the late 1990s and early 2000s he began exploring other inspirations by watching historical documentaries about war, the Great Depression, commerce, and Native American conflicts and struggles in the United States. In 1999 the Rubell family, notable art collectors from New York, purchased the entire content of Young's studio, a collection of almost 3,000 pieces.In 2008 the Rubells donated 108 works to Morehouse College In January 2007, Purvis was selected as the Art Miami Fair's Director's Choice at the Miami Beach Convention Center and helped to establish a number of outdoor art fairs in South Florida that continue today.
With artistic success came monetary gain, and Young failed to maintain his estate. Before his death he became involved in a legal battle with former manager, Martin Siskind. Young sued Siskind for mismanagement of funds. In response, Siskind successfully petitioned for Young to be declared mentally incompetent and Young's affairs were placed in control of legal guardians. According to friends, Young was not incompetent and was left destitute by the procedures. Siskind stated that he and Young had settled the suit amicably, and that Young retained ownership of 1,000 paintings and was financially stable.Wikipedia














John Latham - Conceptual Art

John Latham, (23 February 1921 – 1 January 2006) was a Zambia-born British conceptual artist. Latham was educated at Winchester College. In the Second World War he commanded a motor torpedo boat in the Royal Naval Volunteer Reserve. After the war he studied art, first at the Regent Street Polytechnic and then at the Chelsea College of Art and Design. He married fellow artist and collaborator Barbara Steveni in Westminster in 1951.The spray can became Latham's primary medium, as can be seen in Man Caught Up with a Yellow Object (oil painting, 1954) in the Tate Gallery collection. In addition to spray paint, Latham tore, sawed, chewed and burnt books to create collage material for his work, such as Film Star (1960).Latham's event-based art was influential in performance art. In 1966, he took part in the Destruction in Art Symposium in London led by Gustav Metzger along with Fluxus artists such as Yoko Ono, Wolf Vostell and Al Hansen.His "skoob" ("books" written backwards) works using books or materials derived from them had the power to shock. He moved from collages to towers of books which he then burnt, awakening uncomfortable echoes of the Nazi regime's public burning of banned books.
From 1983 Latham lived and worked at his house, Flat Time House in Peckham. In 1991 he produced God is Great (no. 2), a conceptual artwork featuring copies of the Bible, Quran, and a volume of the Talmud, each cut in two and attached to a sheet of glass. In 2005 Tate Britain held an exhibition of Latham's work.Latham died at Kings College Hospital, Camberwell, on 1 January 2006.In 2010 John Latham: Canvas Events was published by Ridinghouse.In 2016 the Henry Moore Institute presented A Lesson in Sculpture with John Latham, an exhibition addressing Latham's visionary contribution to the study of sculpture, bringing sixteen works by Latham, spanning 1958 to 2005, into conversation with sixteen sculptures by artists working across the twentieth and twenty-first centuries.Wikipedia