Exposition Art Blog: drawing with pastels
Showing posts with label drawing with pastels. Show all posts
Showing posts with label drawing with pastels. Show all posts

Hans Rudolf Giger

 

 Hans Rudolf "Ruedi" Giger ( 1940 – 2014) was a Swiss surrealist painter, whose style was adapted for many forms of media, including record-albums, furniture and tattoo-art.
"H.R. Giger was a Swiss artist and designer known for his nightmarish science-fiction motifs. Giger is best known for his book Necronomicon (1977), as well as his design work for Ridley Scott’s 1979 feature film Alien. “Some people say my work is often depressing and pessimistic, with the emphasis on death, blood, overcrowding, strange beings and so on, but I don't really think it is,” he once said. Born Hans Ruedi Giger on February 5, 1940 in Chur, Switzerland, he went on to study architecture and industrial design at the School of Applied Arts in Zürich. His first successful attempt at reaching audiences with visual art came in 1969, when a painting of his was published as a poster. Giger cited Ernst Fuchs and Salvador Dalí as major influences on his stylizations of bodies and machinery. Before becoming involved in the production of Alien, Giger was recruited by the avant-garde director Alejandro Jodorowsky to be a designer for his unproduced film version of Frank Herbert’s novel Dune (1965). Though the film was never completed, it gave Giger a chance to produce a number of intricate objects and artworks based on the novel’s themes and characters. Over the decades that followed, he continued producing work for films, music videos, album covers, and videogames. Giger died on May 12, 2014 in Zürich, Switzerland. Today, much of his work is housed in the H.R. Giger Museum in Gruyères, Switzerland."(artnet)

 























Hans Rudolf Giger

Hans Rudolf "Ruedi" Giger ( 5 February 1940 – 12 May 2014) was a Swiss surrealist painter, whose style was adapted for many forms of media, including record-albums, furniture and tattoo-art.
The Zurich-based artist was best known for airbrush images of humans and machines linked together in a cold 'biomechanical' relationship. Later he abandoned airbrush work for pastels, markers or ink. He was part of the special effects team that won an Academy Award for design work on the film Alien. In Switzerland there are two theme-bars that reflect his interior designs, and his work is on permanent display at the H.R. Giger Museum at Gruyères.Giger was born in 1940 in Chur, capital city of Graubünden, the largest and easternmost Swiss canton. His father, a pharmacist, viewed art as a "breadless profession" and strongly encouraged him to enter pharmacy, Giger recalled. He moved to Zürich in 1962, where he studied Architecture and industrial design at the School of Applied Arts until 1970






 
Giger's first success was when H. H. Kunz, co-owner of Switzerland's first poster publishing company, printed and distributed Giger's first posters, beginning in 1969.
Giger's style and thematic execution were influential. He was part of the special effects team that won an Academy Award for Best Achievement in Visual Effects for their design work on the film Alien. His design for the Alien was inspired by his painting Necronom IV and earned him an Oscar in 1980. His books of paintings, particularly Necronomicon and Necronomicon II (1985) and the frequent appearance of his art in Omni magazine continued his rise to international prominence. Giger was admitted to the Science Fiction and Fantasy Hall of Fame in 2013. He is also well known for artwork on several music recording albums including ELP's Brain Salad Surgery and Deborah Harry's KooKoo.In 1998 Giger acquired the Château St. Germain in Gruyères, Switzerland, and it now houses the H.R. Giger Museum, a permanent repository of his work







Giger started with small ink drawings before progressing to oil paintings. For most of his career, Giger had worked predominantly in airbrush, creating monochromatic canvasses depicting surreal, nightmarish dreamscapes. However, he then largely abandoned large airbrush works in favor of works with pastels, markers or ink.
Giger's most distinctive stylistic innovation was that of a representation of human bodies and machines in a cold, interconnected relationship, he described as "biomechanical". His main influences were painters Dado, Ernst Fuchs and Salvador Dalí. He met Salvador Dalí, to whom he was introduced by painter Robert Venosa. Giger was also influenced by the work of the sculptor Stanislas Szukalski, and by the painters Austin Osman Spare and Mati Klarwein. He was also a personal friend of Timothy Leary. Giger studied interior and industrial design at the School of Commercial Art in Zurich (from 1962 to 1965) and made his first paintings as a means of art therapy.Wikipedia