John Bunion Murray

 

 John Bunion Murray (1908–1988) was a self-taught artist in Glascock County, Georgia. He is considered to be a major figure in the world of Southern Vernacular Art and Outsider Art. His work is now in many important collections, including that of the American Folk Art Museum and the Smithsonian American Art Museum, and has been featured in many museum exhibitions, including "Self-Taught Genius" at AFAM and "When the Stars Begin to Fall" at the Studio Museum.Murray worked as a sharecropper for the majority of his life. He was married, and he and his wife had eleven children. By the time he was in his fifties, his wife had left him and his children had also left home, leaving him especially isolated.At the age of 70, Murray experienced a religious vision while working the fields which inspired him to produce a remarkable body of abstract paintings and drawings in the last decade of his life.  Seeing an eagle descend from the sun, Murray believed that he had been granted a privileged religious insight, which was to be the inspiration for his work as an artist.

 

James Havard - Abstract illusionism

 

 

James Havard (1937 - 2020) was an American painter and sculptor. He was a pioneer of abstract illusionism in the 1970s. In the 1980s he changed his style into a form of abstract expressionism influenced by Native American and tribal cultures as well as outsider art. Drawing inspiration from outsider and tribal art, Havard stands within a tradition that includes such notable artists as Paul Gauguin, Cy Twombly, Jean Dubuffet, Jean-Michel Basquiat, and Joseph Beuys. James Havard has been producing paintings, prints, collages, and sculptures that defy categorization, ranging from abstraction and illusionism to figuration, combining and pioneering styles, and drawing from indigenous and tribal cultures and art history to create an exuberant visual language at once hermetic and universal. He first gained recognition in the 1970s for pioneering an approach to painting, known as “Abstract Illusionism,” in which individual brushstrokes and abstract forms were shaded to appear three-dimensional. By the late 1980s, he turned to figuration, populating his compositions with radically pared-down, roughly hewn male and female figures inspired by Native American, African tribal, and pre-Colombian art, cave painting, and children’s drawings, and recalling Art Brut. Raw, expressive, and, ultimately, enigmatic, these figures also appear in Havard’s boxed collages and sculptures—a medium he began exploring in 2002.

 

Hawkins Bolden - Outsider art

"Hawkins Bolden (1914-2005) was from Memphis, Tennessee.  We met him in the mid-1990's.  We had seen his jaw-dropping piece in the  Passionate Vision's art show at New Orleans Museum of Art and knew we had to meet the maker.  The exhibit was a beautiful well represented exhibition of Self-Taught Artwork, most of whom we recognized and in the middle was a pair of stuffed pants sitting in a chair with bucket with holes in it as a head of sorts. 
We went to meet Hawkins to talk to him about his piece that moved us and ended up becoming friends with he and his amazing story-telling sassy sister, Elizabeth.  Hawkins was in his 80's when we met him and he had been blind since the age of 7.  They were both so sweet and welcoming to us.
Hawkins primarily used buckets, hubcaps, tin cans, and assorted metal to make figures.  He called them scarecrows with his only purpose of "scaring off the birds."  He started with smoothing the metal with glass, then drilling into the metal he created holes which would be manipulated and opened with various tools he made and railroad ties.  The holes represented eyes. Then he added tongues made from rubber hose, shoes, carpet or such to create a figure.
The pieces were primarily displayed in his yard to keep the birds away from his garden of tomatoes and peppers, but there was always something more to Hawkins and his work.  Something beautifully haunting and mysterious that went beyond words.Here are some examples of his work.  We visited him many years and have a nice inventory of his work.  Email us and we will be glad to send you images."(webbartgallery.com)

 

Outsider art John Bunion Murray

John Bunion (J.B.) Murray (1908–1988) was a self-taught artist in Glascock County, Georgia. He is considered to be a major figure in the world of Southern Vernacular Art and Outsider Art. His work is now in many important collections, including that of the American Folk Art Museum and the Smithsonian American Art Museum, and has been featured in many museum exhibitions, including "Self-Taught Genius" at AFAM and "When the Stars Begin to Fall" at the Studio Museum.Murray worked as a sharecropper for the majority of his life. He was married, and he and his wife had eleven children. By the time he was in his fifties, his wife had left him and his children had also left home, leaving him especially isolated.At the age of 70, Murray experienced a religious vision while working the fields which inspired him to produce a remarkable body of abstract paintings and drawings in the last decade of his life.  Seeing an eagle descend from the sun, Murray believed that he had been granted a privileged religious insight, which was to be the inspiration for his work as an artist.

Due to the limitations of his circumstances, Murray had little to no formal education, and was unable to read or write. Illiterate, Murray instead developed his own personal style of seemingly unintelligible asemic writing, a sort of modern Adamic script, which he inscribed onto his drawings and paintings. Murray's writing gave him a power he believed could be used for benediction and protection of himself and others. As a part of the process, Murray kept a bottle of what he called "holy water" on a table by his bedside, which he would raise towards the sky whenever he prayed. Murray believed that if a person read his "writing" while looking through the bottle of holy water, that person would read messages from God. During the last few years of his life as his reputation grew as a mystic, Murray would receive visitors on his property who requested ritual readings of the holy water.  When writing these holy messages, Murray would often hold the bottle of holy water in one hand and write with the other, keeping his hand as limp as possible, and letting the holy spirit guide it. This process of automatic writing was recorded in a documentary directed and produced by Judith McWillie of the University of Georgia toward the end of his life.

Murray distrusted people who did not believe in God; in his mind, most people had strayed from the Lord's path and were therefore potentially harmful. He also believed that destructive evil spirits populated the world, and thus much of the artwork he created served a protective purpose. His paintings and painted objects functioned as a shield to ward off such harmful forces. Some of his earliest work involved small mysterious piles of stones , concrete blocks, and other found objects, which he positioned around his property. In this way and in many others, his work shares a connection with the tradition of African American Yard Shows, though in person J.B. Murray never commented on the nature of these piles or divulged their purpose. Art historian Mary Padgelek, who wrote a book about Murray's life and works,has also written a musical about him: Visionary Man, being presented at the Hudson Mainstage Theater.Wikipedia