Exposition Art Blog: acrylic paintings
Showing posts with label acrylic paintings. Show all posts
Showing posts with label acrylic paintings. Show all posts

Alice Rahon

Alice Phillipot (later Paalen and Rahon) (8 June 1904 – September 1987) was a French/Mexican poet and artist, whose work contributed to the beginning of abstract expression in Mexico. She began as a surrealist poet in Europe, but began painting in Mexico. She was a prolific artist from the late 1940s to the 1960s, exhibiting frequently in Mexico and the United States, with a wide circle of friends in these two countries. Her work remained tied to surrealism, but was also innovative including abstract elements and the use of new techniques such as sgraffito and the use of sand for texture. She became isolated in her later life due to health issues, and except for retrospectives at the Palacio de Bellas Artes in 1986 and at the Museo de Arte Moderno in 2009 and 2014, has been largely forgotten despite her influence on Mexican modern art.






Rahon's early artistic work was in poetry, often writing about scenes and landscapes from her childhood, as well as about her immobility and nostalgia.However, after arriving in Mexico, she began to paint, firstly in satercolours, inspired by the colour she encountered in Mexico. Most of her later work was in oils, but she also created drawings, collages and objects. The main influences in her work are surrealism, poetry, her travels and Mexico. Her work has been described as primitive and intensely poetic, “breathing with and inner life.”Her paintings have some link to surrealism but are also tied to her experiences in Mexico and her use of colour, light and the appearance of landscapes show influence from poetry. Influence from cave paintings and tribal art from her travels can also be seen. Her works were considered mature from the beginning, with abstract elements (not accepted in Mexico at the time) but still representing something concrete, almost always natural phenomena. Her surrealist influence was mostly from Paalen, with important early influences being Moraines, Rendez-vod de vivieres and Cristales del espacio. However, she is also classed with other surrealist artists from Europe in Mexico, such as Remedios Varo and Leonora Carrington .Unlike these two, she did not confine herself to oils but experimented with techniques, especially those related to texture, showing influence from Rufino Tamayo.







Her themes include landscapes, elements from myths, legends, Mexican festivals, and elements of nature, along with mythical cities (which represent introspective worlds) and homage to various artists that she admired. Water appeared often, both in form and as the color blue. She made series of paintings related to rivers, similar to those created by Paul Klee titled El Nilo, Rio Papaloapan, Rio Papagayos and Encuentro de Rivieras (painted many years later).She created paintings to honor Giorgio de Chirico, Frida Kahlo, Diego Rivera, Joan Miró and Pablo Neruda .Two dedicated to Frida Kahlo include La balada de Frida Kahlo (made shortly after Frida's death), as well as Frida aux yeux d’hirondelle in 1956, which was reworked a decade later.





Paintings For Sale Acsai Anna

Hungary




Winter sunset
55x70 cm canvas,acrylic
2100 EURO

Dawn in Transylvania
55x70 cm canvas,acrylic
2100 EURO

Mediterranean street details
30x60 cm canvas,acrylic
900 EURO


http://milenaolesinska.blogspot.com/p/art-for-sale.html

João Pery de Lind


João Pery de Lind
Artist from Portugal  Born at 1972

 Phone:  +351 96 02 05 159
e-mail:  jperydelindart@gmail.com


"Inferno"Year: 2017
Dimensions: 60 cm x 80 cm x 0.3 cm
Material: Acryllic and Ink of China on MDF (wood)
State: to sell
Price: € 1.700,00

Art For Sale João Pery de Lind

 Artist from Portugal  Born at 1972
 Phone:
  +351 96 02 05 159
e-mail:  jperydelindart@gmail.com
 
 
Ano: 2017
Dimensões: 60 cm x 80 cm x 0.3 cm (framed goold on wood)
Materiais: Acryllic on wood
State: To Sell
Price: €2300,00
 
 
http://milenaolesinska.blogspot.com/p/blog-page_61.html

Modern Art Itzchak Tarkay

Itzchak Tarkay (1935 – June 3, 2012) was an Israeli artist.
Tarkay was born in 1935 in Subotica on the Yugoslav-Hungarian border. In 1944, Tarkay and his family were sent to the Mauthausen Concentration Camp, until Allied liberation freed them a year later. In 1949 his family emigrated to Israel, living in a kibbutz for several years. Tarkay attended the Bezalel Academy of Art and Design from 1951, and graduated from the Avni Institute of Art and Design in 1956.
His art is influenced by French Impressionism, and Post-Impressionism, particularly Matisse and Toulouse-Lautrec. His work was exhibited at the International Art Expo in New York in 1986 and 1987. He has been the subject of three books, published by Dr.Israel Perry. Perry Art Gallery And Park West Gallery, his dealer.
His art is focussed on almost dream images of elegant women in classical scenes which draw you into an imaginary world.






 History quoted from the website of his dealer, Park West Galleries: "Itzchak Tarkay was born in 1935 in Subotica on the Yugoslav-Hungarian border. At the age of 9, Tarkay and his family were sent to the Mathausen Concentration Camp by the Nazis until Allied liberation freed them a year later. In 1949 his family immigrated to Israel and was sent to the transit camp for new arrivals at Beer Yaakov. They lived in a kibbutz for several years and in 1951 Tarkay received a scholarship to the Avni Art Academy where he studied under the artist Schwartzman and was mentored by other important Israeli artists of the time such as Mokady, Janko, Streichman and Stematsky.
Tarkay achieved recognition as a leading representative of a new generation of figurative artists. The inspiration for his work lies with French Impressionism and Post-Impressionism, particularly the color sophistication of Matisse and the drawing style of Toulouse-Lautrec. He drew upon the history of art to create many of his compositions, designing a kind of visual poetry from the aura of his cafes and intimate settings.
As well as being an acrylic painter and watercolorist, Tarkay was a master graphic artist and his rich tapestry of form and color was achieved primarily through the use of the serigraph. In his serigraphs, many colors are laid over one another and used to create texture and transparency.
When asked about his technique, Tarkay said it’s impossible to describe. “Can you explain your own handwriting?” he asked. He used his instinct to choose his colors and couldn’t define any other reason. “The color is coming,” he said. “When it’s finished, sometimes I’ll change the colors. It’s not something I think about.”






 Most of his choices were instinctive – inspired by his surroundings, the music he listened to, the places where he traveled and nature. Very often, Tarkay painted “en plein air” and brought his sketchbook outdoors. As it grew dark, he would take a series of photos and finish the work in his studio. Tarkay said that the most difficult part of his painting is realizing when a work is complete. He recalled going to a show once after he had not seen his paintings in about three months, having the urge to re-touch each piece. To him, the works were never done.
In the later years of his life, Tarkay shared his gifts by mentoring younger Israeli artists including, David Najar, Yuval Wolfson and Mark Kanovich who often visited his studio, worked alongside him and received his critiques. Tarkay was also the only artist to collaborate with Israeli master, Yaacov Agam (1928). He and Agam created two paintings which incorporated both artists’ imagery in a single painting.Wikipedia




Art For Sale João Pery de Lind

Artist from Portugal  Born at 1972

 Phone +351 96 02 05 159 

 

ENGRENAGENS DA RELATIVIDADE:
Acryllic on MDF
81 cm x 61 cm x 0,3 cm
Price: € 610,00

QUARTO DOS BRINQUEDOS:
Acryllic on MDF
61 cm x 81 cm x 0,3 cm
Price: € 430,00

AS TORRES:
acryllic on MDF
60 cm x 40 cm x 0,3 cm
Price: € 280,00

CONCERTO:
Acryllic on MDF
81 cm x 61 cm x 0,3 cm
Price: € 410,00

INVASÃO:
Acryllic on MDF
81 cm x 61 cm x 0,3 cm
Price: € 530,00

A FILHA DA CRIATURA AZUL:
Acryllic on MDF
60 cm x 40 cm x 0,3 cm
Price: € 370
 
A MULHER AZUL:
Acryllic on Wood
183 cm x 70 cm x 5 cm (30 Kg)
Price: € 2000,00


http://milenaolesinska.blogspot.com/p/blog-page_61.html

Łukasz Breitenbach

My name is Łukasz Breitenbach. I was born in 1988. In 2007 I graduated State High School of Fine Arts in Bydgoszcz and in 2013 degree in painting in the coloristic studio of Professor Mieczyslaw Ziomek at the Faculty of Fine Arts in Torun. I received two awards from Professor Mieczyslaw Ziomek for the outstanding degree in painting in 2012/2013. I took part in many international painting plein airs in Poland ( Toruń, Iława ) and abroad ( Lviv, Vilnius, Riga and Madona in Latvia) as well as after -plein-air exhibition that followed. Currently I am developing my painting, drawing, photography, print and stained glass. Many of my paintings are in private collections. My current project is an attemt to combine both realistic and abstract form into balanced coloristic compositions.






Enrique Zaldivar

Enrique Zaldivar Cuban artist is a graduate of the Professional Academy of Fine Arts ''El Alba'' in Holguin, Cuba.
In his works are a mix of magical realism, surrealism and illustration. almost monochrome works with a deep poetic sense which addresses issues such as the meaning of life, freedom, religion, death, loneliness, power. He tells stories from the universal themes, so establishing an easy relationship with the viewer and makes it part of its history.


www.enriquezaldivar.com


Voices in de wind / Enrique Zaldivar
Acrylic on cardboard / 12x16 inches

The big mystery / Enrique Zaldivar
Acrylic on cardboard / 17x21 inches 

Series The descent of the angel / Enrique Zaldivar
Acrylic on canvas / 12x16 inches

I come from everywhere / Enrique Zaldivar
Acrylic on canvas / 16x20 inches

Painting & Sculpture

Phillipe Auge

Phillipe Auge's paintings strike us from the start by their size, purity, refined elegance and the predominant role held by women. At first sight, one realizes that this man could truly have worked in the world of fashion because of the care he devotes to producing particular effects with the dresses he puts on them which would not have seemed out of place in a fashion show.And then, when one takes a serious look at his biograhphy, one discovers that he did indeed work in haute couture, and, what is more, in Italy. He created materials for the greatest designers. He then lived in this particular universe where women inspired him with his most beautiful sets of clothes, his most marvellous and exuberant costumes. Phillipe Auge, who then went back to his paintings and paintbrushes, pursued this daydream of exquisite, slender and gentle youg women he clad with the most beautiful outfits.






About his most personal style, one could say that it has been influences or inspired by the masterpieces of the Italian Renaissance: the silhouettes, the elongates faces with almond green eyes, the fairy-fingered hands, the neat, tidy hairstyles, the small, thin feet recall the women of these ancient times, as they have come down to us through the paintings of Bellini, Bronzino or Caravaggio, their gestures are measured, their poses sensual and somewhat shy, self-effacing and full of wisdom.
From the Italian Renaissane, he may also have retained the harmony of rich, silky colours often enhanced with a washing of gold, the modelling, the art of draping, and a certain way of associating this omnipresent feminity with the flowers and the well-ripened fruit. One can almost still remember the taste of the fragance.




Phillipe Auge does not place these women in rich, luxurious caskets. Much to the contrary, he plays with the contrast between an abstract, bare, timeless setting which is remarkable essentially for the harmony and calm it creates around the characters, and which brings out all the more sharply the beauty and elegance of his models. This emptiness, this free space around the women represented also remind us, in a certain way, of Chinese, Japanese or Korean painting.His eventful life between France and Italy, between the high society whom he portrayed in Rome and the theatre for which he created sets and costumes, between the haute couture workshops bustling like beehives and the silence of his own workshop where he found refuge away from any intrusion of the world, to paint in solitude and contemplation, ended very recently, in the same way as Caravage put an end to his: on a beah, left by a wave on the shore.His paintings remain as marvellous testimonies of his love of women, beauty and life.(picassomio.com)