John Olsen - Australian Landscape Painting

John Henry Olsen (born 21 January 1928) is an Australian artist and winner of the 2005 Archibald Prize. Olsen's primary subject of work is landscape.His artworks include the Lake Eyre series. He is a regular visitor to Lake Eyre, and in 2011 had been invited to be a member of the party in which Paul Lockyer and two other ABC employees died in a helicopter crash at the lake, but declined due to ill-health. He later offered a painting and a poem in memory of those killed.
More recent works include Golden Summer, Clarendon. One of Olsen's most successful murals, Salute to Five Bells, is currently in the Sydney Opera House. Although he has been labelled as an abstract artist, Olsen rejects this label, stating, "I have never painted an abstract painting in my life". He describes his work as "an exploration of the totality of landscape". Olsen published his diaries, under the title 'Drawn From Life', in 1997. Olsen's book My Salute to Five Bells which contains the artist's thoughts, diary entries and his original drawing for the work, was published by the National Library of Australiain 2015.Olsen is well known for his paintings of frogs and for including frogs in many of his works. In 2013, he began work on his largest painting since Salute to Five Bells. Eight metres by six metres wide, on eight panels, The King Sun was hung in Collins Square in the Melbourne Docklands. The work depicts a brilliant Australian sun (including three frogs). Olsen and his work on the mural are the subject of 2014 documentary The King Sun, directed by New Zealander Tony Williams.Wikipedia

Expressionism Jon Molvig

Jon Molvig (27 May 1923 – 15 May 1970) was an Australian expressionist artist, considered a major developer of 20th-century Australian expressionism, even though his career 'only' lasted 20 years. He was born in the Newcastle, New South Wales suburb of Merewether.

Molvig's talent came to the fore in 1958/59 when he painted the 'Centralian' series after travelling through central Australia - incorporating Australian Aboriginal symbolism in his own interpretation of the Australian landscape. Molvig was an emotional and intuitive painter, deeply concerned with humanity and its follies and always invented symbols and a particular 'style' to suit the criteria of the subject he was painting. This is very evident in his 'Eden Industrial' series 1962 - impressive images of Adam and Eve in an industrialised Garden of Eden, with heavily textured surfaces achieved by burning layers of paint with a blowtorch.

Later the 'Pale Nudes' series (1964) once again show the influence Australian Aboriginal art had on him, and this symbolism was further distilled in the 'Tree of Man' series (1968), painted when he was seriously ill and perhaps already had a sense of his own mortality.Molvig was a rare human being - gregarious and straight forward, often too brutally honest for his own good and unable to abide stupidity, but with a gift of true compassion and understanding and gentleness to all living things, including the human race with all its imperfections and this is evident in his work.Wikipedia