Exposition Art Blog: Kazuo Nakamura
Showing posts with label Kazuo Nakamura. Show all posts
Showing posts with label Kazuo Nakamura. Show all posts

Kazuo Nakamura - Canadian Abstract Art


Kazuo Nakamura was a Japanese-Canadian painter and sculptor (1926 - 2002) and a founding member of the Toronto-based Painters Eleven group in the 1950s.  Nakamura produced abstract paintings that were distinctive among Canadian artists of his generation in part because of their formal simplicity and rigour.
"Influenced by Jock Macdonald’s interest in Hungarian painter and photographer (and teacher at the Bauhaus art school in Germany in the 1920s and early 1930s) László Moholy-Nagy and his own reading in science journals, Nakamura was often concerned with science, time and space. As is evident in his “inner structure” paintings of the 1950s, Nakamura described himself as seeking a "fundamental universal pattern in all art and nature." Later, in the 1970s and 1980s, he increasingly emphasized grid paintings based on number structures, which came to involve the Pascal triangle, an array of number relationships associated with triangles studied by 17th-century French philosopher and mathematician Blaise Pascal. To Nakamura, these laboriously inscribed works were a quest for some ultimate order in the apparent chaos of the universe. "(thecanadianencyclopedia.ca)


















https://milenaolesinska.blogspot.com/p/blog-page_50.html

Painters Eleven group from Toronto Kazuo Nakamura

Kazuo Nakamura was a Japanese-Canadian painter and sculptor (born Vancouver October 13, 1926; died Toronto April 9, 2002) and a founding member of the Toronto-based Painters Eleven group in the 1950s
Kazuo Nakamura was born in Vancouver, British Columbia, and was among the Japanese-Canadians interned during World War II. He studied at Toronto's Central Technical School (1948–51), and co-founded Painters Eleven. Although sharing in the other members' use of painterly abstraction, Nakamura's work was distinguished within the group by his use of simpler structures and monochromatic colours.






 Influenced by fellow Painters Eleven member Jock MacDonald's interest in László Moholy-Nagy's reading of science, Nakamura was concerned with science, time and space. Nakamura described himself as seeking a "fundamental universal pattern in all art and nature" reflected in his "inner structure" paintings from the 1950s. In the 1970s and 80s he increasingly emphasized his grid paintings based on number structures, which came to involve the Pascal triangle. To Nakamura, these laboriously inscribed works were a quest for some ultimate order in the apparent chaos of the universe.Wikipedia