Exposition Art Blog: May 2022

Michael "Mike" Kelley

 

 Michael "Mike" Kelley (1954 - 2012) was an American artist. His work involved found objects, textile banners, drawings, assemblage, collage, performance and video. He often worked collaboratively and had produced projects with artists Paul McCarthy, Tony Oursler and John Miller. Writing in The New York Times, in 2012, Holland Cotter described the artist as "one of the most influential American artists of the past quarter century and a pungent commentator on American class, popular culture and youthful rebellion
Kelley gained recognition in the 1980s for his work with children's soft toys and other found materials. With these materials, he examined popular culture, memories and fragmented narratives.
Children's toys also function in Kelley's work as a satirical metaphor. Deodorized Central Mass with Satellites (1991–99) consists of suspended balls created from discarded, brightly coloured toys. By transforming children's toys into serious sculpture, Kelley visualised a darker side to the American dream's endorsement of excessive consumption and reckless luxury collecting, and intermingled the 'low' and the 'high' of American culture. He also deodorised his suspended sculptures, mocking America's selective amnesia of unpleasant realities.

 











Renato Guttuso

 
Renato Guttuso (1911-1987) was an Italian artist known for his association with the Socialist Realism movement popular in the Soviet Union. A fervent opponent of Fascism and a devoted communist, Guttuso’s works carried a strong political message, as seen in his troubling Execution by Firing Squad in the Countryside (1938), a painting depicting the violent assassination of the Spanish poet Federico Garcia Lorca by fascist militia. His expressive brushstrokes and rich use of warm reds and browns, can be seen in his painting La Vuicciria (1974), a scene of a bustling market in Palermo. Born on December 26, 1912 in Bagheria, Sicily, he gave up studying law at Palermo University to pursue a career as an artist. Having shown an aptitude for drawing at a young age, his early style reflected the influence of Giorgio de Chirico. The artist went on to exhibit two of his paintings in 1931 at the showcase, Prima Quadriennale d’Arte Nazionale de Roma. Guttuso died January 18, 1987 in Rome at the age of 75. 















Zdzisław Salaburski - Tashism - Polish Abstract Painting

 

 Zdzisław Salaburski (1922-2006)
Actor and painter. Initially, he played in the Pomorska Land Theater in Toruń. In 1947 he performed at the Polish Army Theater in Łódź. He spent the years 1948-55 in Poznań, where he played in the Polish and New Theaters. In 1956 he was an actor at the Stary Theater in Krakow. From 1957, he performed in Warsaw theaters: the People's and the National. Apart from acting, he painted. He created paintings under the sign of informel art - called in Poland Tashism or painting of matter. He exhibited them many times, they were highly appreciated.

 

















Don P. Olsen - Abstract Expressionism

 

 Don P. Olsen /1910 -1983/
Don Penrod Olsen was born in 1910 and died in Utah 1983.  He made Utah his home.  Don was one of the most significant artists of Utah to emerge with more of a direct line with radical modernism.  He was an art teacher at Jordan High School and the Art Barn, which later became the Salt Lake Art Center.  Olsen wanted to meld the Utah School with national directions of abstract expressionism in art.
He bridged the early and later Utah generations of modernism most effectively.  Don worked through many of the abstract languages of art more brutally, from “BRUSHED-ACTION PAINTING” (abstract expressionism) to “HARD- EDGE” (minimalism).  He fell in between the lines of Gothic abstract painting.  He understood the intent of abstract expression better than anyother Utahn.
Olsen’s style became freer after he studied the summer of 1954 at Hans Hofmanns School of Art in Provincetown, Massachusetts.  In 1955, he exhibited at the Salt Lake Art Center with a one-man show developed from his recent study with Hofmann.  For a decade more, her would be known solely for his “large thickly painted-with-muscle brushwork”, or “brush-action-painting”.  
With his painting, Don reached an immediacy, involvement, and energy level seldom attained by his Utah peers.  It is an explosively vital work which attacks the viewer’s sensitivities with internal expressiveness.  His work protests the niceties of his colleagues and escapes to art of a different nature at its most ferocious.  In Olsens words: “Painting is not and illusion.  A painting can only be itself; it does not simulate, borrow from, or pretend to be anything outside itself.  It is a real thing and its reality lies in being itself.  A painting reveals the internal expression of the artist and has nothing to do with observation of visual facts”.(daviddeefinearts.com)