John Maler Collier (27 January 1850 – 11 April 1934) was a leading English artist, and an author. He painted in the Pre-Raphaelite style, and was one of the most prominent portrait painters of his generation. Both his marriages were to daughters of Thomas Henry Huxley. He studied painting at the Munich Academy where he enrolled on 14 April 1875 (Register: 3145) at the age of 25.
Painting is like silent poem, said Simonides, poet from ancient Greece.Paintings are icons, doors to the Platonian world above the heavens. Paintings on my blog are just those icons, which lead a viewer into the magic world of harmony and beauty. Artists who present their achievements on my blog have a very different cultural and national background, they represent variety of artistic traditions and schools
Showing posts with label neoclassical style. Show all posts
Showing posts with label neoclassical style. Show all posts
Neoclassicism Franz Xaver Messerschmidt
Franz Xaver Messerschmidt (February 6, 1736 – August 19, 1783) was a German-Austrian sculptor most famous for his "character heads", a collection of busts with faces contorted in extreme facial expressions.
The Death of Socrates Jacques-Louis David
The Death of Socrates is a 1787 oil on canvas painting by the French painter Jacques-Louis David. Like many of his works from that decade, the painting focuses on a classical subject, in this case the story of the execution of Socrates, as told by Plato in his Phaedo. In this story, Socrates has been convicted of corrupting the youth of Athens and introducing strange gods, and has been sentenced to die by drinking poison hemlock. Socrates, rather than fleeing when the opportunity arises, uses his death as a final lesson for his pupils, and faces it calmly. The Phaedo, which depicts the death of Socrates, is also Plato's fourth and last dialogue to detail the philosopher's final days, which is also detailed in Euthyphro, Apology, and Crito.
In the painting, an old man in a white robe sits upright on a bed, one hand extended over a cup, the other gesturing in the air. He is surrounded by other men of varying ages, most showing emotional distress, unlike the stoic old man. The young man handing him the cup looks the other way, with his face in his free hand. Another young man clutches the thigh of the old man. An elderly man sits at the end of the bed, slumped over and looking in his lap. To the left of the painting, the wall becomes an arch, with more men in the background.Wikipedia
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