"Emilio Vedova was born on August 9, 1919, in Venice. Self-taught as an artist he attended for a short period the evening decoration classes at the Carmini school. Around 1942 he joined the group Corrente, which also included Renato Birolli, Renato Guttuso, Ennio Morlotti, and Umberto Vittorini. Vedova participated in the Resistance movement from 1943. In 1946 he collaborated with Morlotti on the manifesto Oltre Guernica in Milan and was a founding member of the Fronte Nuovo delle Arti in Venice. In this period he began his Geometrie nere series, black and white paintings influenced by Cubist spatiality.
Vedova’s first solo show in the United States was held at the Catherine Viviano Gallery in New York in 1951. In the same year he was awarded the prize for young painters at the first São Paulo Bienal. In 1952 he participated in the Gruppo degli Otto. Vedova was represented at the first Documenta exhibition in Kassel in 1955 and won a Guggenheim International Award in 1956. He executed his first lithographs in 1958. In 1959 he created large L-shaped canvases, called Scontri di situazioni, which were exhibited in a black environment created by Carlo Scarpa for the exhibition Vitalità nell’arte, which opened at Palazzo Grassi, Venice, and traveled to the Stedelijk Museum, Amsterdam."(mazzoleniart.com)
Vedova’s first solo show in the United States was held at the Catherine Viviano Gallery in New York in 1951. In the same year he was awarded the prize for young painters at the first São Paulo Bienal. In 1952 he participated in the Gruppo degli Otto. Vedova was represented at the first Documenta exhibition in Kassel in 1955 and won a Guggenheim International Award in 1956. He executed his first lithographs in 1958. In 1959 he created large L-shaped canvases, called Scontri di situazioni, which were exhibited in a black environment created by Carlo Scarpa for the exhibition Vitalità nell’arte, which opened at Palazzo Grassi, Venice, and traveled to the Stedelijk Museum, Amsterdam."(mazzoleniart.com)
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