Painting is like silent poem, said Simonides, poet from ancient Greece.Paintings are icons, doors to the Platonian world above the heavens. Paintings on my blog are just those icons, which lead a viewer into the magic world of harmony and beauty. Artists who present their achievements on my blog have a very different cultural and national background, they represent variety of artistic traditions and schools
My art refers to surrealism, in a broad sense, Broad, because I have excluded typical surrealistic landscape and reached to the simplified image, to the form of the poster. Unraveling leading ideas in my paintings allows me to communicate freely with recipients and to guide them trough symbolic reality of my art.
Jackie Saccoccio (1963 –2020) was an American abstract painter. Her works, considered examples of gestural abstraction, featured bright color, large canvases, and deliberately introduced randomness.Saccoccio's works have been displayed at the Metropolitan Museum of Art in New York, Museum of Contemporary Art, Chicago, and the Museum of Fine Art in Boston. She received the New Art Dealers Alliance (NADA) Artadia award in 2015 and was also awarded grants from the Fulbright–Hays Program (1990), John Simon Guggenheim Memorial Foundation (2000), and the American Academy in Rome.Starting in the 1990s, Saccoccio was known for her vivid and evocative works of gestural abstraction, building on the work of artists like Helen Frankenthaler and Joan Mitchell. Her works, inspired by abstract expressionism and Italian Baroque art, were part of a movement which emphasized adding vitality to abstract painting through experimentation with randomness and paint handling. Jerry Saltz, reviewing a 2007 show in The Village Voice, noted Saccoccio's influences: "Saccoccio's paintings come dangerously close to looking like mid-century abstraction, particularly the work of artists like Joan Mitchell and de Kooning. Yet if you spend time in this show, the old-school quotient subsides and sparks begin to fly."Saccoccio worked with large canvases on which she outlaid "expansive waves and splashes of bright, luminous color", creating fragmented visual spaces.She introduced randomness in her works by pouring and splattering paint while tilting the canvas in different directions.She also transferred paint between canvases, pulled them across, and scraped through dry paint pigments to add onto the randomness.In what has been described as an intensely physical process, she would sometimes press together two large and wet canvases, apply mica for an additional layer of sheen, and at times have as many as 50 layers of paint on her canvas.These actions, and the added bright colors, introduced an additional element of spontaneity to her works.The outcome was highly layered, vibrantly colored, drip-networked, and had large shifting fields of color. Wikipedia
