David Kenneth Ireland (August 25, 1930 – May 17, 2009) was an American sculptor, conceptual artist and Minimalist architect.Born in Bellingham, Washington. He studied Printmaking and Industrial Arts at California College of Arts and Crafts, graduating in 1953 with his BFA. After college he attended US Army service. After leaving the Army Ireland traveled Europe extensively, working as an illustrator, and eventually traveled to Africa to lead safaris.
It was not until his 40s that Ireland decided to dedicate himself to work as a full-time artist. He returned to the United States and returned to school, this time at the San Francisco Art Institute. Upon graduating from the San Francisco Art Institute in 1974, Ireland spent a year working in New York, before returning to settle in San Francisco.
Upstairs hallway at 500 Capp St., with treated walls and other sculptural installations
In 1975, Ireland purchased a victorian house built in 1886 from Paul John Greub, an accordion maker, for $50,000. The house is located at 500 Capp Street (20th Street and Capp Street) in the Mission District of San Francisco.
In 1987 Ireland won the Adaline Kent award from San Francisco Art Institute (SFAI).
"The safe gets away for the second time", part of 500 Capp St.
Upstairs hallway at 500 Capp St., with treated walls and other sculptural installations
In 1975, Ireland purchased a victorian house built in 1886 from Paul John Greub, an accordion maker, for $50,000. The house is located at 500 Capp Street (20th Street and Capp Street) in the Mission District of San Francisco.
In 1987 Ireland won the Adaline Kent award from San Francisco Art Institute (SFAI).
"The safe gets away for the second time", part of 500 Capp St.
Ireland is most well known for creating site-specific installation art pieces; most notably, his former residence at 500 Capp Street in San Francisco, where his work is also shown at Gallery Paule Anglim. Moving between two and three dimensions within the same sculptures, Ireland explores concepts of scale and vision. Known for his wide range of materials, works are made from paint cans, phone books, metal, cement, wood and, even the skull of a water buffalo.
In 1999, Ireland collaborated with sound artist GX Jupitter-Larsen remixing and re-recording tapes from the audio archives of 500 Capp St. The outcome was released as a CD on Vinyl Communications.
To accompany Ireland's first solo exhibition in London, Ridinghouse published David Ireland: Sculptures, Paintings, Drawings. This catalogue features a selection of Ireland’s works from over four decades. An introduction to the work of this artist, this publication also includes an essay by Kenneth Baker, art critic of the San Francisco Chronicle.
One of his most prominent works Angel-Go-Round (1996) is in the permanent collection of di Rosa, Napa.
In early 2016, the San Francisco Art Institute organized an exhibition of Ireland's work, in conjunction with the public opening of 500 Capp .Wikipedia
In 1999, Ireland collaborated with sound artist GX Jupitter-Larsen remixing and re-recording tapes from the audio archives of 500 Capp St. The outcome was released as a CD on Vinyl Communications.
To accompany Ireland's first solo exhibition in London, Ridinghouse published David Ireland: Sculptures, Paintings, Drawings. This catalogue features a selection of Ireland’s works from over four decades. An introduction to the work of this artist, this publication also includes an essay by Kenneth Baker, art critic of the San Francisco Chronicle.
One of his most prominent works Angel-Go-Round (1996) is in the permanent collection of di Rosa, Napa.
In early 2016, the San Francisco Art Institute organized an exhibition of Ireland's work, in conjunction with the public opening of 500 Capp .Wikipedia
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