Richard Oelze (June 29, 1900 in Magdeburg – November 26, 1980 in Gut Posteholz near Hameln) was a German painter. He is classified as a surrealist.
As of 1914, Oelze attended the School of Decorative Arts in Magdeburg, where he was trained as a lithographer until 1918. He learned nude drawing in evening classes. Among his teachers there were Richard Winckel and Kurt Tuch, as of 1918. From 1919 until 1921, he completed his studies at the same school as a Stipendiat (a person receiving a scholarship). Between 1921 and 1925, he was a student at the Bauhaus, at first in Weimar with Johannes Itten, and then in Dessau, where he received a special teaching post at the Bauhaus. From 1926 until 1929, he lived in Dresden, participating in an exhibition of the "Dredner Secession" there, and lived from 1929 through 1930 in Ascona in Switzerland, and then in Berlin until 1932.
As of 1914, Oelze attended the School of Decorative Arts in Magdeburg, where he was trained as a lithographer until 1918. He learned nude drawing in evening classes. Among his teachers there were Richard Winckel and Kurt Tuch, as of 1918. From 1919 until 1921, he completed his studies at the same school as a Stipendiat (a person receiving a scholarship). Between 1921 and 1925, he was a student at the Bauhaus, at first in Weimar with Johannes Itten, and then in Dessau, where he received a special teaching post at the Bauhaus. From 1926 until 1929, he lived in Dresden, participating in an exhibition of the "Dredner Secession" there, and lived from 1929 through 1930 in Ascona in Switzerland, and then in Berlin until 1932.
After a longer residence on Lake Garda, he stayed in Paris in the years from 1932 to 1936 and became acquainted with André Breton, Salvador Dalí, Paul Éluard and Max Ernst. In 1936 and 1937, he again lived in Switzerland and in Italy. In 1938, he moved to Germany, where he settled in the artists' colony in Worpswede in 1939. From 1941 through 1945, he performed military service and was taken prisoner. After the war, he again went to Worpswede, where he worked until 1962, and then moved to Posteholz.
Oelze participated in documenta II in 1959 and in documenta III in 1964 in Kassel. In 1965, he became a member of the Academy of Arts, Berlin.
Oelze participated in documenta II in 1959 and in documenta III in 1964 in Kassel. In 1965, he became a member of the Academy of Arts, Berlin.
His most important work may well be Die Erwartung (The Expectation, 1935/1936), where a group of people stare into an empty landscape with their backs to the observer. This picture is judged to be a fundamental picture in the history of painting. However, he had already had great success with exhibitions in Amsterdam, London, Paris and New York.
Oelze was regarded as one of the most important painters of surrealism. His works are typified by a secretive representation of landscape and figural compositions, with rendition of details in the manner of the old masters.
Oelze had an important influence on the later French surrealist, Christian d'Orgeix.Wikipedia
Oelze was regarded as one of the most important painters of surrealism. His works are typified by a secretive representation of landscape and figural compositions, with rendition of details in the manner of the old masters.
Oelze had an important influence on the later French surrealist, Christian d'Orgeix.Wikipedia
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