Kinetic and luminal art Gyula Kosice

Gyula Kosice (born Ferdinand Fallik; April 26, 1924 – May 25, 2016) was a Czechoslovakian-born Argentine sculptor, plastic artist, and poet. He was one of the most important figures in kinetic and luminal art and luminance vanguard.
He was born in an ethnic Hungarian family in 1924.Kosice used his natal city name as artist name. He was one of the precursors of abstract and non-figurative art in Latin America. He used, for the first time in international art scene, water and neon gas as part of an artwork. Light and movement were also present in his works.
He created monumental sculptures, hydrospatial walks, hydrowalls, etc. He made more than 40 personal and 500 collective exhibitions all over the world.
 Kinetic and luminal art .Wikipedia

Surrealism Dorothea Tanning

Dorothea Margaret Tanning (August 25, 1910 – January 31, 2012) was an American painter, printmaker, sculptor, writer, and poet. Her early work was influenced by Surrealism.Wikipedia
Dorothea Tanning was born in 1910 in Galesburg, Illinois and attended Knox College in her hometown before studying painting in Chicago (haunting the Art Institute where she learned what painting was.)   In 1941, now in New York, she met the art dealer, Julien Levy, and his surrealist friends, refugees from Nazi occupied France. Late in 1942 Max Ernst visited her studio, saw a painting, (Birthday), and stayed to play chess. They would have 34 years together, at first in Sedona, Arizona (a mere outpost at the time).  Here she would continue to paint her enigmatic versions of life on the inside, looking out: The Guest Room, The Truth About Comets, Eine Kleine Nachtmusik, Interior with Sudden Joy, Insomnias, Palaestra, Tamerlane, Far From. By 1956 Max and Dorothea had chosen to live and work thenceforth in France. Though Paris was headquarters, they preferred the country quiet lure in Touraine and Provence. These years included, for Dorothea Tanning, an intense five‐year adventure in soft sculpture: Cousins, Don Juan's Breakfast, Fetish, Rainy Day Canapé, Tragic Table, Verbe, Xmas, Emma, Revelation or the End of the Month, Hôtel du Pavot Room 202.

 Max Ernst died on April 1, 1976 and Dorothea faced a solitary future. “Go home,” said the paint tubes, the canvases, the brushes. Returning to the United States in the late 1970s, and still painting, Tango Lives, Woman Artist, On Avalon, Door 84, Still in the Studio, Blue Mom, Dionysos S.O.S., she gave full rein to her long felt compulsion to write.  Words, poetry.  Written, read, heard.  Would she join these voices even then? Her poems have since appeared in a number of literary reviews and magazines, such as The Yale Review, Poetry, The Paris Review, The New Yorker, The Boston Review, The Southwest Review, Parnassus, and in Best Poems of 2002 and 2005. Her published works include two memoirs, Birthday and Between Lives, a collection of poems, A Table of Content, and a novel, Chasm.
At present Dorothea Tanning lives in New York City, breathes words, as well as air, and looks at her paintings with amazement. It is 2009.(.dorotheatanning.org)