Beverly Pepper -Contemporary Sculpture

 

 Beverly Pepper (1922 - 2020) - American sculptor known for her monumental works, site specific and land art. She remains independent from any particular art movement.
All of Pepper's sculptures from the beginning of her sculptural career were displayed outdoors. Eventually, she began her experiments using earth to contain a sculpture. "In the seventies I developed the concept of "Earthbound Sculptures", that is sculptures seemingly born in or rising up from the earth."Becoming more involved with her native New York in the 1970s, her progressive ideas became realized in commissions such as her seminal work Amphisculpture (1974-76). Furthering her vocabulary in steel, throughout this time period she used Cor-ten steel. While working at a U.S. steel factory in Conshohocken, Pennsylvania, she was given Cor-ten steel. Relishing in the exposed rusted surfaces of Cor-ten, she made pieces like Dallas Land Canal (1971-75). She was, in fact, one of the first artists, if not the first, to incorporate Cor-Ten steel into sculpture.Beginning in the 1970s, and to the present day, she has lived a bi-continental life traveling between Europe and the United States. Wikipedia

 

Roberto Chabet - Philippine Conceptual Art

 

 Roberto Chabet (1937–2013) was a renowned Filipino conceptual artist, teacher, and curator, who played a key role in the development of Philippine contemporary art. Through his expanded art practice, he supported and nurtured the artistic development of several generations of Filipino artists, from his contemporaries in the 1960s and 1970s to his numerous students at the University of the Philippines College of Fine Arts.
He is highly regarded for his experimental works, ranging from sculptures and installations made from everyday and found materials, to paintings, drawings and collages. He was the founding Museum Director of the Cultural Center of the Philippines (CCP) from 1967–70 and subsequently led the alternative artist group Shop 6. He taught for more than thirty years at the University of the Philippines while continuing to be involved with artist-run spaces in Manila. Chabet’s sculptures often drew on and extended conceptual ideas of relational and serial structures, using materials such as plywood for their association with the rebuilding of Manila after it was bombed at the end of World War Two, and implicating the body of the viewer into an experience of the work in space.

 

Bruno Canova "The Art of War"

 

 Bruno Canova was born in Bologna in 1925, was drafted in 1943 to military service in the Navy and shortly after he was arrested for attempting to organize a partisan group in La Spezia and interned in a labor camp in the Sudetenland German Brüx .After the liberation, he studied graphic design in the Boarding Schools of the “Convitti della Rinascita”, in Rome and Milan. Among his teachers: Luigi Veronesi, Max Huber, Albe Steiner, Lucio Lombardo Radice, Gabriele Mucchi. After his debut in 1949 in Prague, in an exhibition of Italian graphics and after having been, for some years, the political cartoonist of “L’Unità”, he devoted himself only to his work as an artist in Rome, the city where he would spend all his life and where he frequented, among others, Mario Mafai, Alberto Ziveri, Renato Guttuso, Renzo Vespignani, Salvatore Scarpitta, Ugo Attardi, Pier Paolo Pasolini. In 1965 he won the Premio Suzzara and participated in the Quadrennial of Rome, where his work was noticed by Carlo Ludovico Ragghianti, who wrote him a letter of great appreciation. In this period he develops a research on the city and its suburbs, and composes spreadsheets and drawings in black and white with a few chromatic elements in an assembly close to the experiences of historical avant-gardes. Draftsman and engraver of great quality, in the early eighties his path opens onto color and to a painting where the memory of the Roman School merges his analytical vision with the suggestions of the Northern Renaissance in a search which lasted until the last day. Marked as he was by his dramatic war experiences, from 1966 Bruno Canova worked continuously in the exhibition "The Art of War" that was exposed in public spaces in many Italian cities, with works where drawing and painting merge documents, newspapers and vintage posters, on the wake of the Dadaist collage and the outcomes are often close to certain conceptual experiences. Among his many exhibitions, we must remember his solo shows at the Villa Pignatelli in Naples (1975), at the Palazzo dei Diamanti in Ferrara (1976), at the National Central Library of Rome (1993) and in the Museum of Roman Laboratory of the University "La Sapienza" (1998 ), at the Quadrennial in Rome in 1965 and 1986, and the participation in the Italian Pavilion, section Lazio, 54th Venice Biennale at the Palazzo Venezia in Rome. He died in Lacco Ameno ( Ischia ) July 31, 2012.(.wikiart.org)