Dan Flavin (April 1, 1933, Jamaica, New
York – November 29, 1996, Riverhead, New York) was an American
minimalist artist famous for creating sculptural objects and
installations from commercially available fluorescent light fixtures.
"Dan Flavin, (born April 1, 1933, Jamaica,
Queens, New York, U.S.—died November 29, 1996, Riverhead, New York),
American artist whose installations featuring fluorescent lighting tubes
in geometric arrays emit a rich ambient monochrome or multicoloured
light that subtly reshapes the interior spaces in which they are
displayed, creating intense visual sensations for the viewer. He was one
of the leading exponents of Minimalist art and importantly influenced
the direction of international contemporary art.From an early age Flavin
was interested in art, particularly drawing. But, following his
father’s wishes, he attended a seminary in Brooklyn from 1947 to 1952.
He was never ordained, but he clearly maintained some interest in the
spiritual, as his signature explorations of light (a phenomenon in art
historically associated with the divine or the numinous) reveal. In 1952
he graduated from Cathedral College of the Immaculate Conception in
Douglaston, New York, and he then served in the military in Korea for a
year. When he returned to New York City, he studied art history at the
New School and at Columbia University. As a studio artist, Flavin was
generally self-taught.His earliest work of the late 1950s included
paintings, text, and found objects. In the early ’60s he began to
experiment with the use of fluorescent lights mounted on painted wood
armatures. He became one of the first Minimalists, concerned with real
space as a formal device, industrial materials, and simplified forms.
Like the Russian Constructivist Vladimir Tatlin—whom he particularly
admired and to whom he dedicated several of his works—Flavin often
mounted his structures in corners so that the ambient light softened the
rectangular space of the room. He used factory-made fluorescent lights
in standard lengths and colours, thereby taking light as a found object.
Flavin would use this basic format for the rest of his career, varying
the number and scale of his pieces on the basis of space. From 1983 to
1988 he renovated a former firehouse and church in Bridgehampton, New
York, as a permanent site for his work. The building, known as the Dan
Flavin Art Institute, is now maintained by the Dia Art Foundation."(Lisa
S. Wainwright britannica.com)
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