Knaflewski’s works are not easily interpreted or analyzed, but instead conjure loose associations – their goal is to tease the viewers’ imagination. During the ‘90s, he kept returning to the use of root-like forms in his pieces – treating them as a symbol of the forces of life, growth, and upward expansion. The artist also tended to present them in the form of a cross and present as a metaphor for the human body. In his work Para (A Couple, 1990), two long, wavy roots, topped off with cross-shaped ‘heads’, rest on white sheets strewn around a muddy floor. The life-like roots/crosses resemble a pair of lovers in an intimate position.
(Author: Ewa Gorządek, April 2011; update: LS, AS, September 2014 culture.pl )