Frank Avray Wilson - Action Painting

"Born on the multi-cultural island of Mauritius in 1914, Avray Wilson came to Abstraction following years of scientific research into the source of human aesthetics. Having graduated from Cambridge University with a degree in biology in 1938, Avray Wilson used his scientific knowledge to further his painting. Once he discovered that colour is not matter but energy, that an image could be alive as a living cell under a microscope, and that human art-making is a reflection of Nature’s Art Making, Avray Wilson arrived at full abstract gestural painting during the early 1950s. His explosions of colour and shapes burst in strength and liveliness, and are in their dignity and abstract grandeur challenging our predisposed understanding of what art should be.
Avray Wilson himself commented on his scientific background:
'I studied biology hoping that it would provide me with an explanation of the wonder of life. But the claim that life was no more than a molecular mechanism, led me to join the ranks of 'vitalist' biologists, who recognised that life, like beauty, was a quality, not a thing. Artists do not usually need a justification for art. The power of art is convincing enough. But my scientific background obliged me to find an explanation of nature's art, which I felt sure would provide me with the firmest justification for human art.' Vitalism in biology implies a natural transcendental level, which is not material or spatial, the source of vitality. Here was also an explanation of nature's art, as the revelation of transcendental qualities in life and Nature. The artist's mind could be guided from the same source to create 'vitalistic' imageries.
'In aspiring to a vitalistic painting, biology had taught me the key importance of form in the expression of vitality. At profound molecular levels, vitally involved forms could be expressed in complex geometries, indicating that the visible 'organic' forms of life had a profound geometric basis."(

Albert Contreras - Geometric Abstraction

Albert Contreras (1933-June 17, 2017) was an artist and painter based in Santa Monica, California known for gestural and geometric abstraction.Contreras painted from around 1960 to 1972, and then stopped painting for 25 years.He resumed painting in 1997. Contreras has donated many of his works to museums and university galleries..."Then, in 1972, Contreras stopped painting. “I was paintings like a lot of Minimalists at the end of the 60s: reductive,” said Contreres. “We wanted to finish off painting. I painted myself to where I wanted to disappear. And I succeeded! I had come to the end of the line, and it was all over. There was no use for me to paint anymore.”So after moving back to Los Angeles (by way of New York), he shut down his studio and went to work for Santa Monica. For the next 20 years, he was a full-time employee, driving garbage trucks, operating heavy equipment and working as a crewman on a front-end skip loader, resurfacing asphalt streets.After retiring in 1992, Contreras spent five years in therapy. In 1997, he was done with that and went back to painting. “I don’t know exactly how I took up painting again. One day I said, ‘You know, I think I can paint again.’ I picked up exactly where I had left off, making monochrome paintings with little gestures in them. The first paintings I made were nearly 30 years late.”(


Lengani Salifou

Abstract expressionism painting - original works

Acrylic painting 46cm x 41 cm - 400 Euro

Earl Moran - American Pin-Up Art

Earl Moran (December 8, 1893 – January 17, 1984), born in Belle Plaine, Iowa, was a 20th-century pin-up and glamour artist.Moran's first instruction in art came under the direction of John Stich, an elderly German artist who also taught the great illustrator W.H.D. Koerner. Moran also studied with Walter Biggs at the Chicago Art Institute.Moran later studied at the famed Art Students League in Manhattan, where he took instruction from the muralists Vincent Drumond, Robert Henri, Thomas Fogarty (Norman Rockwell's teacher), and the legendary anatomist George Bridgman. After moving back to Chicago in 1931 and opening a small studio where he specialized in photography and illustration, he sent some paintings of bikini-clad girls to two calendar companies; when both Brown and Bigelow and Thomas D. Murphy Company bought the work, his career was officially launched.In 1946, Moran moved to Hollywood though he had already painted many movie stars including Betty Grable, for publicity posters. Soon after his arrival, he interviewed a young starlet named Norma Jean Dougherty who wanted to model for him. For the next four years, Marilyn Monroe posed for Moran and the two became friends. She always credited him with making her legs look better than they were as she felt they were too thin. Moran's work during this time period is now his most valuable; a Moran Marilyn pastel sold for $83,650, nearly doubling the previous record for one of his works, when the Craig MacMillan collection was sold at Heritage Auctions in February 2011.Wikipedia

Nellie Mae Rowe - American Folk Art

"Nellie Mae Rowe was a self-taught African-American artist known for her unique drawings and sculptures of the rural South. Using everyday materials, including chewing gum, markers, egg cartons, and food trays, she melded personal mythology with Christian symbolism. “I feel great being an artist. I didn't even know that I would ever become one. It is just surprising to me,” she once said. Born Nellie Mae Williams on July 4, 1900 in Fayetteville, GA, the artist grew up on her father’s sharecropping farm where she showed an early propensity for drawing and crafts. Married to her first husband Ben Wheat in 1916, she worked mostly as farm hand over the next few decades. After the death of her second husband Henry Rowe in 1948, she began devoting much of her time to creating dolls and paintings. Around this time, Rowe began setting up works in her front yard, inviting visitors to come look as she played gospel tunes on an electric organ. She was first brought to the attention of a larger audience after her inclusion in the 1976 exhibition “Missing Pieces: Georgia Folk Art 1770­–1976.” Rowe died on October 18, 1982 in Vinnings, GA. Today, her works are held in the collections of the Smithsonian American Art Museum in Washington, D.C., the High Museum of Art in Atlanta, and the Metropolitan Museum of Art in New York, among others."(artnet)


Manolo Millares - Tachisme - European Abstract Art

Manolo Millares (Las Palmas de Gran Canaria, Canary Islands, 17 January 1926 – Madrid, 14 August 1972) was a Spanish painter. Self-taught as an artist, Millares was introduced to Surrealism in 1948. In 1953, he moved to Madrid and became an abstract painter. In 1957, Millares along with Antonio Saura and Pablo Serrano founded the avant-garde group El Paso (The Step) in Madrid. After showing his work in San Pablo in 1957, Millares' work was introduced to the United States in 1958. He attained an international reputation by the early 1960s, and had a solo show at the Pierre Matisse Gallery in New York in 1961.In Madrid, Millares was associated with ‘The Informalists’, a group of artists including Antoni Tàpies, Enrique Tábara, Antonio Saura, Laurent Jiménez-Balaguer and Aníbal Villacís among many others who insisted that art should be removed from theory and concept. To these artists, the gesture used to make a painting was all-important. In the 1950s, Millares began to make dramatic collages from found materials, especially burlap.Relatives include his son Pascual Millares, and other relatives Angel Manuel Millares, Angel Manuel Millares Jr., Javier Millares, Michelle Millares, and Mia Marie Millares.Wikipedia