Horst P. Horst

Horst Paul Albert Bohrmann (August 14, 1906 – November 18, 1999) who chose to be known as Horst P. Horst was a German-American fashion photographer.
Horst is best known for his photographs of women and fashion, but is also recognized for his photographs of interior architecture, still lifes, especially ones including plants, and environmental portraits. One of the great iconic photos of the Twentieth-Century is "The Mainbocher Corset" with its erotically charged mystery, captured by Horst in Vogue’s Paris studio in 1939. Designers like Donna Karan continue to use the timeless beauty of "The Mainbocher Corset" as an inspiration for their outerwear collections today. His work frequently reflects his interest in surrealism and his regard of the ancient Greek ideal of physical beauty.Wikipedia







Pop Art Marjorie Strider

Marjorie Virginia Strider (January 26, 1931 – August 27, 2014) was an American painter, sculptor and performance artist best known for her three-dimensional paintings and site-specific soft sculpture installations.
Born in 1931 in Guthrie, Oklahoma,[1] Strider studied art at the Kansas City Art Institute before moving to New York City in the early 1960s. Strider's three-dimensional paintings of beach girls with "built out" curves were prominently featured in the Pace Gallery's 1964 "International Girlie Show" alongside other "pin-up"-inspired Pop art by Rosalyn Drexler, Roy Lichtenstein, Andy Warhol, and Tom Wesselman. Her comically pornographic Woman with Radish was made into the banner image for the show, one of the first successful exhibitions of the then-new gallery.Her bold figural work from this era aimed to subvert sexist images of women in popular culture by turning objectified female bodies into menacing forms that literally got "in your face." Strider had two subsequent solo exhibitions at the Pace Gallery in 1965 and 1966 where she continued to show her voluminous paintings of bikini-clad girls as well as 3-D renderings of vegetables, fruits, flowers, clouds and other natural phenomena.






 Strider became a core member of the 1960s avant-garde. She performed in Happenings organized by Allan Kaprow, Claes Oldenburg and others. In 1969 she organized with Hannah Weiner and John Perreault the first Street Work, an informal public art event. Twenty artists participated including Vito Acconci, Gregory Battcock and Arakawa. Strider's contribution was thirty empty picture frames which she hung in random locations in Midtown Manhattan in the hopes of getting pedestrians to look at their environment differently. Strider married Michael Kirby, a contemporary artist and writer who published the first book on Happenings in 1965.






Around this time Strider made chocolate casts of Patty Oldenburg's breasts for Claes's birthday (a plaster version was later acquired by Sol LeWitt).Perhaps it was her intimate friendship with the Oldenburgs that led Strider to redirect her artistic focus from hard sculptural paintings to soft sculpture in the 1970s. She made site-specific installations of unbridled polyurethane foam that tumbled out of windows (Building Work 1976, PS1) or oozed down a spiral staircase (Blue Sky 1976, Clocktower Gallery).[6] At times her renegade pours incorporated domestic objects (brooms, groceries, teapots), while others remained totally amorphous. These works are similar in style and intent to Lynda Benglis' floor paintings and soft sculptures of the same era.




From 1982 to 1985, a retrospective of her work toured museums and universities across the United States. Venues included: SculptureCenter, New York; Gibbes Museum of Art, Charleston, South Carolina; Joslyn Art Museum, Omaha, Nebraska; Museum of Art, University of Arizona, Tucson; and the McNay Art Museum, San Antonio, Texas. In the 1990s, she began to make paintings with tactile surfaces that were more Abstract Expressionist than Pop. In 2009 she revisited her original girlie theme, painting new examples which she exhibited at the Bridge Gallery, New York.Wikipedia



Artistic Photography Lillian Bassman

Lillian Bassman (June 15, 1917 – February 13, 2012) was an American photographer and painter.
From the 1940s until the 1960s Bassman worked as a fashion photographer for Junior Bazaar and later at Harper's Bazaar where she promoted the careers of photographers such as Richard Avedon, Robert Frank, Louis Faurer and Arnold Newman. Under the guidance of the Russian emigrant, Alexey Brodovitch, she began to photograph her model subjects primarily in black and white. Her work was published for the most part in Harper’s Bazaar from 1950 to 1965.
 She worked with digital technology and abstract color photography into her 90s to create a new series of work. She used Photoshop for her image manipulation.
The most notable qualities about her photographic work are the high contrasts between light and dark, the graininess of the finished photos, and the geometric placement and camera angles of the subjects. Bassman became one of the last great woman photographers in the world of fashion.Wikipedia










Art and fashion Louis Vuitton & Yayoi Kusama Collection

Yayoi Kusama ( born March 22, 1929) is a Japanese artist and writer. Throughout her career she has worked in a wide variety of media, including painting, collage, scat sculpture, performance art, and environmental installations, most of which exhibit her thematic interest in psychedelic colors, repetition and pattern. A precursor of the pop art, minimalist and feminist art movements, Kusama influenced contemporaries such as Andy Warhol and Claes Oldenburg. Although largely forgotten after departing the New York art scene in the early 1970s, Kusama is now acknowledged as one of the most important living artists to come out of Japan, and an important voice of the avant-garde.Wikipedia







 "Louis Vuitton creative director Marc Jacobs first met 83-year-old Kusama in 2006 and became enraptured by her "endless energy" and her ability to create, through her work, a " world that never ends". The first instalment of the collaboration will be followed by a second collection, which will launch in Selfridges on August 24.



 
Bold, playful and not for the faint-hearted, the offering features the artist's signature bold spots - which cover every item, from bags to dresses. The range is the house's most significant artist collaboration since it teamed up with Steven Sprouse in 2001 to create his now-iconic graffiti bags. Highlights from the Kusama collection include a yellow drop-waisted dress with a frill skirt; cropped trousers in red and black; classic trench coats, given a surreal twist with the artist's vibrant spots; and silk scarves - which offer a more subtle way to buy into the collection."(www.vogue.co.uk)












Bernard Schultze

Bernard Schultze was born on 31 May 1915 in Schneidemühl (West Prussia). After his Abitur he studied at the art academies in Berlin and Düsseldorf from 1934 to 1939.
His entire work produced before 1945 was destroyed during an air-raid on Berlin in 1945. Schultze moved to Frankfurt two years later where he began making his first informel paintings in 1951.
An exhibition of the artist group "Quadriga" in 1952, of which he was a co-founder, in the "zimmer galerie franck" in Frankfurt included works by the artist. The group's aim was to move away from figurative and formalistic abstraction towards the international avant-garde movements Action Painting and Tachisme.
In 1955 Schultze married the painter Ursula Bluhm and he made his first relief paintings with different materials stuck onto the canvas. The so-called "tabuskris" (tabulae scriptae), works combining painting and drawing made from 1957, were followed by the "Migofs" in 1961. This name, invented by Schultze, refers to constructions and creatures, which, in his eyes, exist among the creatures of nature.
He travelled regularly to Paris and New York during this period, before moving from Frankfurt to Cologne in 1968. He travelled to Russia, the USA and Asia.







 He was elected a member of the "Akademie der Künste" in Berlin in 1972. Schultze achieved an important late woke, on which he worked intensively until his death on 14 April 2005.
His work has been awarded a number of prizes: he was honoured with the title of a "Titularprofessor" of the state of North-Rhine Westphalia in 1981; he was awarded the "Großer Hessischer Kulturpreis" in 1984, the Lovis Corinth Prize in 1986 and the Stefan-Lochner-Medal of the City of Cologne in 1990.
Important exhibitions have been dedicated to the artist's work since the 1980s, for example the extensive retrospective exhibition in Düsseldorf, Berlin, Frankfurt and Saarbrücken in 1980-81 and the retrospective exhibition of his graphic work in the Albertina in Vienna and other museums in Germany in 1984. A large selection of his works toured to Cologne, Bologna and Budapest between 1994 and 1996.
Berhard Schulze belonged to the last great names and precursors of German postwar-abstraction.(www.bernard-schultze.com)











Vangel Naumovski

Vangel Naumovski was born in 1924 in the Macedonian city of Ohrid (then part of Yugoslavia). He was interested in art at a young age, but this led nowhere as he left school after third grade and worked a series of odd jobs -- gardener, farmer, butcher. After a stint in the army, he enrolled in art school in Skopje in 1946, lasting a year. He then worked in a woodcarving shop in Ohrid for thirteen years. During this time he was painting, initially in a folk myth style which led to him being considered a Naive artist. In the early 60s his painting morphed into a gooey sort of surrealism. He first exhibited in Yugoslavia in the 50s, and later had one-man shows in Rome, London, Paris, and Toronto. At some point he started a gallery in his home in Ohrid (it is unknown whether it is still open). He died in 2006. (www.wikiart.org)