Abstract sculptore Dorothy Gillespie

Dorothy Gillespie (June 29, 1920–September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Her works are featured at her alma mater (Radford University) in Virginia, where later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center),Wilmington, North Carolina and Florida.
On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas.
She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970.






 In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997-99). She also hosted a roadio program, the "Dorothy Gillespie Show" on Radio Station WHBI in New York from 1967-1973.
Gillespie also maintained a studio in Florida and served on the Board of Trustees of the Maitland Art Center in Maitland, Florida (1996-1999) and on the Broward County Cultural Affairs Council (1993-1994).






 Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocat worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause.
By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including the Lincoln Center and Epcot Center in Orlando, Florida.
Her work is unique in its use of ribbon-like shape and use of bright colors. Her sculptures are crafted out of aluminum covered in enamel. Her “Colorfall,” is a 40-foot tall sculpture hanging in the lobby of Wilmington's Thalian Hall Center for the Performing Arts.Wikipedia





Images - Mila Smagliy








Bram Bogart - Avant-garde visual art

Bram Bogart (July 12, 1921 – May 2, 2012) was a Dutch born Belgian expressionist painter most closely associated with the COBRA group.Abraham van den Boogaart was born in Delft, the Netherlands, the son of Abraham van den Boogaart, a blacksmith. He attended a technical school, and trained for a career as a decorator, while taking a correspondence class in drawingFollowing his education Bogart took a job with an advertising concern in Rotterdam. Subsequent to World War Two the then twenty-five-year-old painter settled in Paris, France where he was among the founders of Art Informel. At first he experimented with cubism and figurative drawing, depicting flowers, still life and self-portraits. In the 1950s he began to concentrate on working with impasto. With thick layers of boldly applied and colourful paint, he developed an expressionist style which became more abstract with time.
In 1961 he and his later to be wife Leni permanently relocated to Belgium and in 1969 he became a Belgian citizen. Here he began to experiment with a more three-dimensional medium, a mix of mortar, siccative, powdered chalk, varnish, and raw pigment, applied to large, heavy wooden backing structures.Wikipedia








 "Bogart got on with Appel and his Cobra associates but fell out with the Dutch cultural establishment over what he perceived as its obsession with Cobra at the expense of any other style. It may not have been coincidence that in 1960 he moved to Belgium, first to Brussels, then for the rest of his life to Ohain, in the province of Walloon Brabant. He took Belgian citizenship in 1969.
During these years, he laid on pigment and cement mixture so thickly that he had to arrange for metal stretchers to bear the weight of his work. Bogart's art entered collections all over Europe and he had shows at galleries including the Boijmans Van Beuningen in Rotterdam, the Guggenheim in New York and the Louvre and Pompidou Centre in Paris.No public gallery in Britain picked up on him but there were several exhibitions in London over the years, culminating in two shows at Bernard Jacobson in Mayfair, in 2007 and 2009, showing late paintings of great beauty. The early drawing lessons paid off too. At the end of his life he was said to be still able, like Giotto, to draw a perfect circle, freehand."(theguardian.com)







André Cottavoz

André Cottavoz (French, 1922–2012)
"André Cottavoz was born on July 22nd, 1922, in Saint Marcellin in Isère, first child of the young Marguerite (she is hardly 18 years old then) and of her husband Paul Cottavoz. André, called « Doudou » by his grandmother (nickname that he will assume all his life) expresses his passion for painting as soon as he is a teenager. Indeed, he is 14 when his mother surprises him copying a landscape from the « Illustration » gazette. Practicing herself watercolour, she encourages him in this way, buys colors to him and takes him to paint in the nature with her.She gives him a precious advice which he will never forget : « Paint what you like, a bridge, a tree, a reflection on the water and forget the rest. » He also benefits from Michel Gaudet’s advice, a friend of Renoir living in the area, and regularly works « sur le motif » (from nature) with him, to the great displeasure of his father opposed to a future career as an artist.





 At the age of 18, against the advice of his father, but supported by his mother, he enrolled at The Fine Arts School in Lyon to continue his learning. But he is quickly disappointed with academic teaching and frustrated by some « worthy teachers » (it is forbidden to pronounce the name of Cézanne), he does not understand why before painting a nude, he should first have drawn its skeleton, and is excluded from a workshop on the day he arrives, exhibiting a reproduction of Van Gogh in whom he recognizes a Master. His regular attendance is nevertheless rewarded with a mention « for the amount of work performed » !
In 1942, he is obliged to spend two years in the “STO” (forced labour services) in Austria. There, he carried on painting and drawing. He met a talented young artist, the humorist Paul Philibert Charrin. This latter straight away recognizes him as a master and dedicates him an admiration that, according to Frédéric Dard, will become detrimental to his own career. They organize exhibitions of their works together. These pieces unfortunately will be destroyed or lost because of the war.





 When he comes back from “STO”, he cumulates studies, drawings and paintings. He knows that he cannot escape from his destiny : he is a painter. However without resources, living by his own wits (but always supported by his mother), he « goes up » to Paris to follow the courses of Paris’ Art School, in order to obtain a diploma and a vacation as a drawing teacher. His passionate temperament, on top of his way of conceiving pictorial art closer to the emotion, does not match with the academic requirements of the school, and he does not obtain the diploma which could have ensured him a regular income. At the same time, he attends the courses of the « Grande Chaumière », where he is reproached to do his own « Cottavoz way ».
In 1946, he exhibits a sight of Paris at the « salon of the young painting », La place d’Ivry which will make him recognized as a rather wellknown figurative painter in the line of Bonnard.
The same year, is held the first salon of non-figuration painting called « les Réalités Nouvelles ». At that time, being qualified of « Bonnardish » painter, is a true disavowal, because times are not ideal for figurative painting. However, faithful to himself, Cottavoz refuses any fashion influences or labels and is more than ever obstinate by his own way of painting, as close as possible to “his own emotion”, will he entrust to Jacques Zeitoun later on.





 In 1950, André Cottavoz obtains a price at the Biennale of Menton. Therefrom in 1952, he presents his paintings at the “Art Vivant” gallery, boulevard Raspail in Paris, and becomes friend with Raymond Cogniat and Georges Besson, respectively director of “Art” newspaper, and art critic for several other papers. At last, in 1953, he receives the first price at « Fénéon reward » which reveals him to the general public and contributes to his fame abroad, particularly in the United States and Japan for his engraved work. His relations with painters such as Garbell, Lanskoy, Saboureau and Tereskovitch make easier his introduction in the circle of the Parisian Art galleries. He then signs up his first contract with the gallery of « Art Vivant », ardently supported by the unfailing Jacques Zeitoun, Art director.From 1962, a turning point occurs in his life. Further to a conjugal disagreement, he leaves Ste Foy-les-Lyon. He settles down in his own artist studio at Sicard street in Vallauris. Leaving Lyon also means that he has to leave the artists’ circle of his friends and amateurs, but it also signifies that he is extracted from competitions in between artists worried to get a place in the world of Art. A necessary insulation for his way of conceiving painting will follow that period, when the Abstract Art has the favour of the media, galleries and art amateurs.





 In 1990, André meets Hélène, his third wife who shares his life in his Vallauris’ house, until the painter’s death on July 8, 2012. She accompanies him to Japan, Bali, Morocco, Hong Kong, etc… as many sites which renew, not only his inspiration, but also a kind of liberation of the tension, to finally succeed in a pictorial apotheosis, synthesizing his accurate look, linked with the emotion and power of the gesture.
At last, it should be noted that in 2005, the municipality offered to the painter (discreet citizen of Vallauris for nearly 50 years), already rewarded by the Knight of Arts and Letters Academy and internationally recognized, a major retrospective of his entire work at the Magnelli Museum of the city."(andre.cottavoz.com)




Milena Olesinska - oli painting


Oil on canvas

Oil on canvas


Portraits and caricature Darrell Mordecai

"As a caricature artist I specialize in creating gift ideas. As a gift caricature is original and memorable.
The great thing is, if the caricature is good enough, it can be framed and hang on the wall for years.
Since I have been illustrating professionally for years, I decided to use my painting skills to create something really special. I thought, what would happen if I created a caricature in the same style as a portrait. I use the same technique as a portrait painting only I apply it to a humorous image." Darrell Mordecai 












João Pery de Lind


João Pery de Lind
Artist from Portugal  Born at 1972

 Phone:  +351 96 02 05 159
e-mail:  jperydelindart@gmail.com


"Inferno"Year: 2017
Dimensions: 60 cm x 80 cm x 0.3 cm
Material: Acryllic and Ink of China on MDF (wood)
State: to sell
Price: € 1.700,00

Performance art - avant garde designer Leigh Bowery

Leigh Bowery (26 March 1961 – 31 December 1994) was a London-based performance artist, club promoter, and designer. He was also a significant model for the English painter, Lucian Freud. Bowery was born 26 March 1961 in Sunshine, Australia, a suburb of Melbourne. He studied music, played piano, and in Melbourne he studied fashion and desig.In Australia, he began to feel that he didn't fit well with his conservative surroundings, and became interested in London and the New Romantic club scene while reading British fashion magazines. Bowery then moved to London, where he worked in a clothing shop, did some commercials for Pepe jeans, and created promos for musical artists, including a promo for David Bowie's "Ashes To Ashes" video. He soon became an influential and lively figure in the underground clubs of London and New York, as well as in art and fashion circles. He attracted attention by wearing wildly outlandish and creative outfits of his own making. He became friends and roommates with two others, Guy Barnes (known as "Trojan") and David Walls. Bowery created costumes for them to wear, and this trio became known in the clubs as the "Three Kings.








 He was known as a club promoter, and created the club called "Taboo", which began as an underground party, and then opened as a club in 1985. Taboo soon became "the place to be" with long queues for those waiting to get in. Drugs, particularly ecstasy, became a part of the dancing scene for the attendees. Taboo was known for defying sexual convention, for embracing "polysexualism", for its wild atmosphere, and for its sometimes unexpected song selections.As a fashion designer he had several collections and shows in London, New York and Tokyo. He has influenced designers and artists. He was known for wildly creative costumes, makeup, wigs and headgear, all of which combined to be striking and inventive and often kitschy or beautiful.
He also designed costumes for the Michael Clark Dance Company. When that company performed at the Brooklyn Academy of Music in 1987, Bowery won a Bessie Award for his work on "No Fire Escape in Hell" Wikipedia