Robert Oscar Lenkiewicz

"Robert Lenkiewicz was born in London in 1941, the son of refugees who ran a Jewish hotel in Fordwych Road, whose elderly residents included a number of Holocaust survivors. He was inspired to paint after seeing Charles Laughton in Alexander Korda's biographical film Rembrandt. At 16, Lenkiewicz was accepted at Central Saint Martins College of Art and Design and later attended the Royal Academy. However, he was virtually impervious to contemporary art fashions, being more interested in his favourite paintings in the National Gallery. Inspired by the example of Albert Schweitzer, Lenkiewicz threw open the doors of his studios to anyone in need of a roof – down and outs, addicts, criminals and the mentally ill congregated there. These individuals were the subjects of his paintings as a young man. However, such colourful characters were not welcomed by his neighbours and he was obliged to leave London in 1964. He spent a year living in a remote cottage near Lanreath in Cornwall, supporting his young family by teaching, before being offered studio space on the Barbican in Plymouth by local artist John Nash. The artist's home and studios once more became a magnet for vagrants and street alcoholics, who then sat for paintings. Their numbers swelled and Lenkiewicz was forced to commandeer derelict warehouses in the city to house the 'dossers'.

  One of these warehouses also served as a studio and in 1973 became the exhibition space for the Vagrancy Project. He first came to public attention when the media highlighted his giant mural man on Plymouth's Barbican in the 1970s. Another furore occurred in 1981 when he faked his own death in preparation for the forthcoming project of paintings on the theme of death (1982): "I could not know what it was like to be dead," said the artist, "but I could discover what it was like to be thought dead." After his first exhibition with an established art dealer, in the 1990s Lenkiewicz's work enjoyed growing commercial success and some recognition by the establishment. He received a major retrospective in 1997 at Plymouth City Museum and Art Gallery, attended by 42,000 visitors. Lenkiewicz, aged 60, died of a heart attack in 2002.

 Despite painting 10,000 works rated of 'national importance' by the British Museum he had only £12 cash in his possession (having never opened a bank account), and owed £2 million to various creditors. Since his death examples of his best paintings have fetched ever-rising prices in London auction rooms. In his obituary of Lenkiewicz, art critic David Lee observed: "Robert's greatest gift was to show us that an artist could be genuinely concerned about social and domestic issues and attempt the difficult task of expressing this conscience through the deeply unfashionable medium of figurative painting. In that sense he was one of few serious painters of contemporary history." The rise in Lenkiewicz's popularity was shown in a 2008 auction of his personal collection of his own works, the auction of his paintings and library raised £2.1million. The auction was held by Bearne's Auctioneers (now Bearnes Hampton & Littlewood) at Westpoint Arena in Exeter. Lenkiewicz never paid tax or kept any records of sales of his works. In 2009 when his estate was finally valued after lawyers spent 7 years going through personal effects he was found to have left £6.5 million. As well as paintings the estate included a £1 million book collection. Lenkiewicz was the father of 11 children, His daughter Alice Lenkiewicz is a painter, poet and editor of the literary magazine, Neon Highway. His stepdaughter, Rebecca Lenkiewicz, is an accomplished playwright who has had her work performed at the Royal National Theatre. Another stepdaughter is Bianca Eliot. Lenkiewicz's pupils include Piran Bishop, Yana Travail, Dan Wheatley, Lisa Stokes and Joe Stoneman. "(

Willem L. den Dunnen/Guillaume

Art For Sale João Pery de Lind

Artist from Portugal  Born at 1972

 Phone +351 96 02 05 159 


Acryllic on MDF
81 cm x 61 cm x 0,3 cm
Price: € 610,00

Acryllic on MDF
61 cm x 81 cm x 0,3 cm
Price: € 430,00

acryllic on MDF
60 cm x 40 cm x 0,3 cm
Price: € 280,00

Acryllic on MDF
81 cm x 61 cm x 0,3 cm
Price: € 410,00

Acryllic on MDF
81 cm x 61 cm x 0,3 cm
Price: € 530,00

Acryllic on MDF
60 cm x 40 cm x 0,3 cm
Price: € 370
Acryllic on Wood
183 cm x 70 cm x 5 cm (30 Kg)
Price: € 2000,00

William Kurelek

William Kurelek, CM (March 3, 1927 — November 3, 1977) was a Canadian artist and writer. His work was influenced by his childhood on the prairies, his Ukrainian-Canadian roots, his struggles with mental illness, and his conversion to Roman Catholicism.
William Kurelek was born near Whitford, Alberta in 1927, the oldest of seven children in a Ukrainian immigrant family: Bill, John, Winn, Nancy, Sandy, Paul, Iris. His family lost their grain farm during the Great Depression and moved to a dairy farm near Stonewall, Manitoba. He developed an early interest in art, which was not encouraged by his hard-working parents. He studied at the Ontario College of Art in Toronto and at the Instituto Allende in Mexico, but was primarily self-taught from books.

 By his mid-twenties he had moved to England. In 1952, suffering from clinical depression and emotional problems, he admitted himself into the Maudsley Psychiatric Hospital in London. There he was treated for schizophrenia. In hospital he painted, producing The Maze, a dark depiction of his tortured youth. His experience in the hospital was documented in the LIFE Science Library book The Mind, published in 1965.He was transferred from the Maudsley Hospital to the Netherne Hospital, where he stayed from November 1953 to January 1955, to work with Edward Adamson (1911–1996), a pioneer of art therapy. At Netherne he produced three masterpieces - Where Am I? Who Am I? Why Am I? (donated to the American Visionary Arts Museum by Adamson at its inauguration in 1995), I Spit On Life, and A Ball of Twine and Other Nonsense. In 1984, when the Adamson Collection was exhibited as Selections from the Edward Adamson Collection, at the Art Gallery of Ontario, Adamson donated to the Ontario Psychiatric Association a large pencil drawing by Kurelek of one of the interiors of Netherne Hospital, showing a group of patients at leisure.

 Originally Ukrainian Orthodox, and briefly a professed atheist, Kurelek converted to the Roman Catholic Church in 1957. He painted a series of 160 works on the Passion of Christ, and a series of 20 depicting the Nativity as if Christ had been born in various Canadian settings: an igloo, a trapper's cabin, a boxcar, a motel. He maintained a cottage near Combermere, Ontario, where he got his inspiration for a book of paintings entitled The Polish Canadians, and was a friend of the nearby Madonna House Apostolate.

 In 1959 he moved to Toronto, where he wrote and illustrated a series of children's books, several of which have become modern classics. In 1974 he illustrated a new edition of W. O. Mitchell's Who Has Seen the Wind.He won the Amelia Frances Howard-Gibbon Illustrator's Award for A Prairie Boy's Winter in 1974 and A Prairie Boy's Summer in 1976. He was made a member of the Royal Canadian Academy of Arts.[6] In 1976, he was made a Member of the Order of Canada. He visited Ukraine in 1970 and again in 1977, posthumously publishing To My Father's Village. He died of cancer in Toronto in 1977. His archives, and a substantial body of his work, including the Passion series mentioned above, are held at Niagara Falls Art Gallery and Archives Canada.Wikipedia

Pen drawings Malcolm McKesson

Malcolm McKesson (July 24, 1909 – February 5, 1999) was an American outsider artist known for his ballpoint pen drawings and his erotic fiction.
Malcolm McKesson was born in Monmouth Beach, New Jersey at the summer house of his wealthy New York City family.[He completed the Grand Tour of Europe twice before turning eighteen, and these trips piqued his interest in art history, which he later studied at Harvard University. His grandfather died in 1924 and his eldest brother in 1927.


McKesson entered Harvard College in 1933 and experienced another death in 1936, this time that of his beloved sister Mary. Matriculated in 1937, he served as a second lieutenant during World War II, marrying poet Madeline Mason at Fort McClellan, Alabama in 1942. Upon returning to New York, he began working in the family chemical company. This he would do until 1961, when with Mason’s support he was able to retire from the business world and devote his life to his secret creation. Other than his early retirement, the couple led a conventional middle-class life in New York City, summering in the Catskills and serving on the boards of a variety of community organizations; none of their friends could ever have guessed at McKesson’s other life.
Madeline Mason died in 1990. Three years later, McKesson approached dealers at the New York Outsider Art Fair. Although he did not necessarily think of himself as an outsider, based on the other work he had seen there, he felt that here was an audience that might appreciate him. Wikipedia

Stanislav I. Sychov

Stanislav I. Sychov(1937 in Odessa – 2003) was an Ukrainian painter, one of the founders of the Odessa school unofficial art. He graduated from the Odessa Art School in 1960.
Many critics believe that organized in 1967 "exhibition Fence" of young artists and Stanislav Sychev and Valentine Khrushch on the fence of the Odessa Opera House marked the beginning "of the Odessa nonconformism". This show lasted only three hours.In 1970 took part in the informal exhibitions in Odessa and Moscow. In 1989 he participated in the international exhibition "Impreza" in Ivano-Frankivsk.In 1989, 1994. - Personal exhibition at the Museum of Western and Eastern Art in Odessa. A significant amount of work is in private collections in Munich, Paris, London, New York, New Jersey, San .Wikipedia


Jörg Schmeisser

Jörg Schmeisser (1942 - 2012) was a noted and award-winning printmaker
Schmeisser was born in Stolp, Pomerania, Germany (modern Słupsk, Poland); he studied at the Hamburg Fine Art Academy, Germany from 1962–67 and also in Kyoto (Kyoto Fine Art Academy) from 1969-72. During his studies in Hamburg he studied printmaking under Paul Wunderlich. In the 1960s and 1970s, he was also involved in archeological excavations in Israel and Greece as an draughtsman/artist. Between 1978 - 1997 he worked at the Canberra School of Art appointed Founding Head of the Department of Printmaking. Schmeisser travelled extensively through Europe, Asia and Australia. He was married to the artist Keiko Amenomori Schmeisser.He died in 2012 in Canberra, Australia.Wikipedia