One of Burden’s most reproduced and cited pieces, Trans-Fixed took place on April 23, 1974 at Speedway Avenue in Venice, California.For this performance, Burden lay face up on a Volkswagen Beetle and had nails hammered into both of his hands, as if he were being crucified on the car. The car was pushed out of the garage and the engine revved for two minutes before being pushed back into the garage.
Later that year, Burden performed his piece White Light/White Heat at the Ronald Feldman Gallery in New York. For this work of experiment performance and self-inflicting danger, Burden spent twenty-two days lying on a triangular platform in the corner of the gallery. He was out of sight from all viewers and he could not see them either. According to Burden, he did not eat, talk, or come down the entire time
In 2005, Burden released Ghost Ship, his crewless, self-navigating yacht which docked at Newcastle-upon-Tyne on 28 July after a 330-mile (530 km) 5-day trip from Fair Isle, near Shetland. The project was commissioned by Locus+ at a cost of £150,000, and was funded with a significant grant from Arts Council England,being designed and constructed with the help of the Marine Engineering Department of the University of Southampton. It is said to be controlled via onboard computers and a GPS system; however, in case of emergency the ship is 'shadowed' by an accompanying support boat.In 2008, Burden created Urban Light, a sculptural work consisting of 202 found antique street lights that had once stood around Los Angeles. He bought the lights from the contractor who installed Urban Light, Anna Justice.The work is on view outside of the Los Angeles County Museum of Art, and the solar-powered lights are illuminated at dusk.Wikipedia