Exposition Art Blog: 2019

Ingemar Härdelin







Marjorie Cameron Mystery Babylon


Marjorie Cameron Parsons Kimmel (April 23, 1922 – June 24, 1995), who professionally used the mononym Cameron, was an American artist, poet, actress, and occultist. A follower of Thelema, the new religious movement established by the English occultist Aleister Crowley, she was also the wife of rocket pioneer and fellow Thelemite Jack Parsons..Born in Belle Plaine, Iowa, Cameron volunteered for services in the United States' Navy during the Second World War, after which she settled in Pasadena, California, where she met Parsons, who believed her to be the "Elemental woman" that he had invoked in the early stages of a series of sex magic rituals called the Babalon Working. They entered a relationship and were married in 1946. Their relationship was often strained, although Parsons sparked her involvement in Thelema and occultism. After Parsons' death in an explosion at their home in 1952, Cameron came to suspect that her husband had been assassinated and began rituals to communicate with his spirit. Cameron's recognition as an artist increased after her death, when her paintings made appearances in exhibitions across the U.S. As a result of increased attention on Parsons, Cameron's life also gained greater coverage in the early 2000s, while in 2011 a biography of Cameron authored by Spencer Kansa was published.

Cameron's occult beliefs closely impacted her artworks.According to The Huffington Post, Cameron's artwork merges "Crowley's occult with the surrealism and symbolism of French poets, yielding dark yet whimsical depictions buzzing with otherworldly power".The art curator Philippe Vergne described her work as being situated on "the edge of surrealism and psychedelia", embodying "an aspect of modernity that deeply doubts and defies cartesian logic at a moment in history when these values have shown their own limitations".
Cameron's biographer Spencer Kansa was of the opinion that Cameron exhibited parallels with the Australian artist and occultist Rosaleen Norton, both in terms of her physical appearance and the similarities between their artistic styles.Harrington also saw similarities in the work of Cameron and the artists Leonora Carrington and Leonor Fini.On the website of the Cameron Parsons Foundation, Michael Duncan expressed the view that Cameron's work rivals that of "fellow surrealists" like Carrington, Fini, Remedios Varo, and Ithell Colquhoun, while also appearing "fascinatingly prescient" of the works by later artists Kiki Smith, Amy Cutler, Karen Kilimmck, and Hernan Bas.In later years, Cameron would often be erroneously labelled a Beat artist because she inhabited many of the same social circles as prominent Beat poets and writers.Rejecting this label, Kansa instead described Cameron as "a pre-Beat bohemian, whose heart lay in Romanticism"Wikipedia
















Ancient Egyptian Art - History of art


Ancient Egyptian art refers to paintings, sculptures, architecture, and other arts produced in ancient Egypt between the 31st century BC and the 4th century AD. It is very conservative; Egyptian styles changed remarkably little over time. Much of the surviving art comes from tombs and monuments, which have given more insight on the Egyptians' belief of the afterlife. This has caused a greater focus on preserving the knowledge of the past. Wall art was not produced for people to look at but it had a purpose in the afterlife and in rituals.


The Ancient Egyptian language had no word for "art". Artworks served an essentially functional purpose that was bound with religion and ideology. To render a subject in art was to give it permanence. Hence, ancient Egyptian art portrayed an idealized, unrealistic view of the world. There was no tradition of individual artistic expression since art served a wider and cosmic purpose of maintaining order
























Eugeniusz Geno Małkowski


Eugeniusz Geno Małkowski ( 1942 – 2016) was a Polish painter. Małkowski was a professor of contemporary art at the University of Warmia and Mazury in Olsztyn, founder of artistic groups and associations throughout Poland, organizer of modern art exhibitions, and popularizer of art. He was known for his speed painting happenings in which he invited people to paint together. In 2005, in Bełchatów, he beat the Guinness World Record for the 24-hour-long-painting performance.In the 1980s he introduced figurative elements and started experimenting with space division of art work Furthermore, he implemented collage techniques mixing them up with graffiti  In the 1990s he abandoned tapping replacing it with so-called speed painting techniques. He became closer to the basis of abstract expressionism reproducing persons or situations in a spontaneous, automatic and almost subconscious way. In the first decade of the 21st century he moved back to the graffiti technique superposing multicolor stencils of human shapes on monochromatic background  In 2010 in Olsztyn he exhibited a series of 44 female nudes painted in several short sessions mixing up speed painting and realistic techniques. The last nude was painted by the artist in public exhibition during the opening day.Wikipedia
















Tomoko Takahas - Contemporary art - Installation Art


Tomoko Takahashi is a Japanese artist born in Tokyo in 1966 and based in London, UK. She has been based in the UK since the early 1990s. She studied at Tama Art University, Goldsmiths College and the Slade School of Fine Art.Takahashi's main medium is installation art, often made of found objects, and is generally site-specific. She studied painting at Tama Art University, however, in around 1994, whilst a student at Goldsmiths she developed an interest in working with found objects.