Paul Wunderlich (10 March 1927 in Eberswalde – 6 June 2010 in Saint-Pierre-de-Vassols) was a German painter, sculptor and graphic artist. He designed Surrealist paintings and erotic sculptures. He often created paintings which referenced mythological legends.Wunderlich was the second child of Horst and Gertrude (née Arendt) Wunderlich. After a time as Flakhelfer and a prisoners of war, he moved to his mother in Eutin, graduated from the Johann Heinrich Voss Gymnasium and then visited the Palace School of Art in the Orangery of Eutin castle. In 1947 he became a student at the Landeskunstschule in Hamburg, where he was in the class Free Graphics of William Tietze. His classmates have included Horst Janssen and Reinhard Drenkhahn. After a hiatus, he began studying again in 1950 with Willem Grimm and graduated in 1951. He then worked as a lecturer at the Hochschule für bildende Künste Hamburg, teaching lithography and etching. Also in 1951 he printed for Emil Nolde ("The King and his men", etching) and in 1952 for Oskar Kokoschka, the graphics suite "Ann Eliza Reed" of eleven lithographs. With the earnings he spent three months in Ibiza. In 1955 he received a scholarship from the Cultural Committee of German Industry .After an early, essentially realistic creative period from around 1959, he developed his characteristic style. His early works show dismembered body, disproportioned in front of an empty background. In the 1960s he was influenced by art movements such as Art Deco and Art Nouveau.In 1960 cycle of lithographs "qui s'explique" was seized by the Hamburg prosecutor for indecent depictions. Wunderlich received the 1961 Prize of the Youth for graphics. With the prize money, he moved his sphere of action to Paris. In 1962, he worked in the workshop Deskjoberts in Paris.In 1963 he returned to Hamburg and as a successor of George Gresko was professor at the Hochschule until 1968. In 1969 he started the creation of bronze sculptures and statues, influenced by Salvador Dalí. In 1976, he issued a limited edition of multicolored heliographs that illustrated James Joyce's Giacomo Joyce.Wikipedia

Painting is like silent poem, said Simonides, poet from ancient Greece.Paintings are icons, doors to the Platonian world above the heavens. Paintings on my blog are just those icons, which lead a viewer into the magic world of harmony and beauty. Artists who present their achievements on my blog have a very different cultural and national background, they represent variety of artistic traditions and schools
Showing posts with label Paul Wunderlich. Show all posts
Showing posts with label Paul Wunderlich. Show all posts
Magic realism Paul Wunderlich
Paul Wunderlich was a German artist best known for his Surrealist paintings and erotic sculpture, which secured his reputation as one of the most important members of the Magic Realist circle of artists. Wunderlich’s early representational subject matter included recent scenes of Germany’s oppressive history during World War II, but his imagery later turned towards Surrealist-influenced works, featuring sexual imagery and fantastic, floating forms. He was born on March 10, 1927 in Eberswalde, Germany and studied graphic art at the Landeskunstschule in Hamburg before becoming an art teacher there. During that time, he learned printmaking techniques from the well-known artists Emil Nolde and Oskar Kokoschka. Wunderlich also began painting using the free-form, Expressionist style of Tachism, but later abandoned it for more figurative imagery. In 1960, he moved to Paris and lived there for three years while working in the Deskjoberts workshop as a lithographer. From 1951 to 1960, he taught as a professor at the University of Fine Arts in Hamburg and from the 1970s on, his energies turned to sculpture. He lived between Hamburg and France before his death on June 6, 2010, in Provence, France.(artnet.com)
Wunderlich belongs to the second generation of Fantastic Realists, sometimes called Magical Realists. These artists have remained faithful to the tradition although the imagery has remained contemporary. Paul Wunderlich, the most prominent among them, has developed a style slightly cooler in temperament and more analytical. Often borrowing from classical mythology, he emphasizes the human form within a context that blends together contemporary and historical references. With cool aloofness, Wunderlich transports the viewer into a world of surreal eroticism and aesthetic symbolism. Again and again, Wunderlich spices his Fantastic Realism with a startling dose of irony. After Picasso and Max Ernst no other artist has contributed as much to the sculpture of painters as Paul Wunderlich. The themes for his sculptures and objects are closely linked to his paintings, drawings and lithographs. Wunderlich sculptures and objects combine the simplicity of an idea with the refinement of the material, and imagination with perfection in shaping something into a perfect form.
As an artist, Paul Wunderlich has remained faithful to his own artistic visions. Over a period of several decades, Wunderlich’s complex and comprehensive body of work has led to numerous exhibitions in museums worldwide. In 1994-95, he had retrospectives in several Japanese museums (Tokyo, Osaka, Hokkaido, Gifu). Wunderlich has been successful in numerous international print competitions and has received many awards. In 1964, he was awarded the Japan Cultural Forum Award, Tokyo; in 1967, he received the Award Premio Marzotti, Italy; in 1970, he was awarded the Gold-Medal in Florence, Italy; in 1978, he received Gold-Medals at the Grafik-Biennale in Taiwan and in Bulgaria.(rogallery.com)
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