Contemporary Sculptures Beverly Pepper

Beverly Pepper (born December 20, 1922) is an American sculptor known for her monumental works, site specific and land art. She remains independent from any particular art movement. Pepper began her career as a painter, but after a trip to Angkor Wat, Cambodia in 1960, she was so awed by the temple ruins surviving beneath the jungle growth that she turned to sculpture. She made her debut in 1962 with an exhibit of carved tree trunks at a gallery in Rome.Pepper introduces her sculptural vocabulary with integrations of wood carvings and metal castings. Art critic, Rosalind Krauss has described the artist's works as violating modernist traditions... "the traditional craft of carving was closed to her … she attacked these logs with electric drills and saws." After several exhibitions in New York and Rome, she was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Pietro Consagra, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. Working directly in the factory, as she would with subsequent major sculptures, Pepper created The Gift of Icarus, Leda, Spring Landscape, two other large works, and seventeen smaller ones.




 

As the 1960s progressed, Pepper turned to polished stainless steel. In some of the first works, she used a torch to carve used one-inch thick elements of stainless steel. From there, her pieces evolved into highly polished stainless with painted interiors. They are illusionary works that disappear and reappear, mirroring the surrounding landscape. In an interview with the art historian, Barbara Rose, Pepper said... "Another effect I'm trying to obtain with this bright finish is not simply illusion, but the inclusion of the person looking at it, so that there's a constant exchange going on between the viewer and the work" ..... "My aim here is to invest space with a solidity by filling it with the world around it."All of Pepper's sculptures from the beginning of her sculptural career were displayed outdoors. Eventually, she began her experiments using earth to contain a sculpture. "In the seventies I developed the concept of "Earthbound Sculptures", that is sculptures seemingly born in or rising up from the earth."  Becoming more involved with her native New York in the 1970s, her progressive ideas became realized in commissions such as her seminal work Amphisculpture (1974-76). Furthering her vocabulary in steel, throughout this time period she used Cor-ten steel. While working at a US Steel Factory in Conshohocken, Pennsylvania, she was given Cor-ten steel. Relishing in the exposed rusted surfaces of Cor-ten, she made pieces like Dallas Land Canal (1971-75). She was, in fact, one of the first artists, if not the first, to incorporate Cor-Ten steel into sculpture.[citation needed] Beginning in the 1970s, and to the present day, she has lived a bi-continental life traveling between Europe and the United States.







Later in the 1980s and 1990s, she made works such as Cromlech Glen (restored in 2003), Palengenesis (1993-94) and Sol i Ombra, (1987-92). The works blend nature with industrial materials, as well as inviting the viewer to be a part of the work—"a total environment." Palengenesis exhibits her fascination with cast iron during this period. Barbara Rose explains, "The theme of Palingenesis is of one element born from another, expressed by a sequence of vertical elements that gradually separate from a wall that generates them. The vertical elements progressively become detached from their context as children individualize themselves from a parent. These themes of genesis and continuity are central to Pepper's iconography." In the Barcelona park, Sol I Ombra, the reflective seductive stainless steel of her earlier works have morphed into a fantastic ceramic structure, Cel Caigut. Rose suggests, "Cel Caigut is content–specific as well as site-specific. In an homage to Gaudi, the great turn-of-the-century Catalan architect, Pepper covered the earth mound with shimmering ceramic tile, the material Gaudi used in his famous Park Guell."Recently, Pepper completed another park project for the city of Calgary, Alberta, Canada Calgary Sentinels and Hawk Hill (2008–2010). Pepper says, "I believe my work offers a place for reflection and contemplative thought within the context of active urban environments.Pepper had her studio in Todi, a hill town in Umbria, Italy.Wikipedia





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