Abstract Expressionism Gandy Brodie

Gandy Brodie (May 20, 1924 - October 22, 1975) was an American painter working primarily in New York City and Townshend, Vermont during the middle part of the 20th Century. He had ties to Abstract Expressionism through artists such as Willem de Kooning and his style, though singular, was considered second-generation Abstract Expressionism. His paintings were influenced by the works of artists such as Camille Corot, Paul Cezanne, Vincent van Gogh, Piet Mondrian, Chaim Soutine, Georges Rouault, Pablo Picasso, and Paul Klee. Shane Brody, his only child, is a jazz and Americana guitarist who resides in Underhill, Vermont.






 Brodie started out as a self-taught painter, arriving at painting only after studying dance with Martha Graham and delving into the world of jazz and bebop. Once he discovered painting, he dedicated himself to learning from fellow artists and from works he could access in the museums of New York. After a time, he studied with Hans Hofmann and with the art historian, Meyer Schapiro, who praised Brodie as “one of the best painters of his generation.”
He was the winner of many awards, including a Guggenheim Fellowship,[6] a National Council for The Arts Award, a Longview Foundation Purchase Grant, an Ingram Merrill Foundation Award, a Mark Twain Art award, and numerous residencies at colleges and universities nationwide. In addition, Brodie taught at Carnegie-Mellon University, The University of Pennsylvania and Elmira College, in Elmira New York, where he was a Fine Arts Instructor at the time of his death.







 Brodie’s work is characterized by dense layers of paint, or drawn marks, culminating in an abstract, yet vivid encapsulation of everyday objects such as a flower in a can, a tree in the park, a sea gull over the ocean, or a tenement in New York. He was known for painting and drawing certain subjects repeatedly throughout his relatively short career. The subjects are often, at first glance, indiscernible from thick paint or charcoal marks; however, his reoccurring motifs become more recognizable once viewed in relation to his other works.Wikipedia





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