Dame Vivienne Isabel Westwood (née Swire; born 8 April 1941) is a British fashion designer and businesswoman, largely responsible for bringing modern punk and new wave fashions into the mainstream.
Westwood came to public notice when she made clothes for Malcolm McLaren's boutique in the King's Road, which became famous as "SEX". It was their ability to synthesise clothing and music that shaped the 1970s UK punk scene, dominated by McLaren's band, the Sex Pistols. She was deeply inspired by the shock-value of punk—"seeing if one could put a spoke in the system".
Westwood went on to open four shops in London, eventually expanding throughout the United Kingdom and the world, selling an increasingly varied range of merchandise, some of it linked to her many political causes such as the Campaign for Nuclear Disarmament, climate change and the civil rights group Liberty. She has been married twice, and has two children.
Westwood came to public notice when she made clothes for Malcolm McLaren's boutique in the King's Road, which became famous as "SEX". It was their ability to synthesise clothing and music that shaped the 1970s UK punk scene, dominated by McLaren's band, the Sex Pistols. She was deeply inspired by the shock-value of punk—"seeing if one could put a spoke in the system".
Westwood went on to open four shops in London, eventually expanding throughout the United Kingdom and the world, selling an increasingly varied range of merchandise, some of it linked to her many political causes such as the Campaign for Nuclear Disarmament, climate change and the civil rights group Liberty. She has been married twice, and has two children.
Westwood was a designer who often let her clothes speak for themselves, as independent designs and as her own statements of culture. This idea that she uses her clothing as a statement of her own is a motif consistent throughout her time as a designer. Although this is also a factor as to why she was ridiculed as a designer, it was such a strong proclamation to her and her designs that she remained this way within her collections. This idea partially was attrributed to her past collaborations with Gary Ness, who assisted Westwood throughout her designing with inspirations and titles for her collections.Wikipedia
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