Exposition Art Blog

Milena Olesinska - Abstract Portrait


Dear friends. I am professional artist with many years of experience. I would like to offer you unique opportunity of having a painting, made according to your individual wishes. Oils, watercolours, graphics, portraits or decorative motives, small or large- your involvement in creating of art will make your interiors very special. To ensure highest standard and unique nature of my art,
I use only traditional techniques and methods...Milena Olesinska




Oil painting on canvas


Jan Nieuwenhuys - CoBrA - European avant-garde art movement in 20th century


"The Dutch painter Jan Nieuwenhuijs is probably the most mysterious artist of the European CoBrA movement. He was one of the early active founders of the Dutch ‘Experimentele groep’ that later became part of CoBrA.
He and his brother Constant had lots of arguments about his paintings. During the war Constant himself painted only, catholic scenes like piatas and Maria portraits or still lifeas and thought that Jan chose his subjects too lightly.
In 1948 Appel, Elburg, Kouwenaar, Wolvekamp, Corneille, Constant, Brands, Rooskens and Jan Nieuwenhuijs founded the ‘experimentele groep’ that a few months later became the European group CoBrA. Jan was in his paintings of this period influenced by dreams, childrenas drawings, the artistic expressions of mentally handicapped people and primitive art. Animals such as birds and cats play a leading role in most of his works, along with fantastic creatures and beings that are made up of a combination of human, animal and mechanical elements. A lot of the creatures balance on a rope or wear boats as a hat.an was soon disappointed in the members of the CoBrA group, some of them were more interested in fame than being an activist , he couldnat stand the fighting that was going on between the members and so he left the group in the middle of 1949, some other members also left but they joined again, for the great exhibition in the Stedelijk Museum...
Jan went his own way, desillusioned, and concentrated only on his work. His paintings became more and more liberated and he experimented with different materials like fluorescent paint and everything he could get his hands on. Everything could become a painting.In an interview from 1964 he says; a.I start with my material and my color. With that I express myself. From the material I come to my subject and that is maybe contrary to what painters did in earlier days. I paint the way I write, the way I laugh. Thatas why I paint differently all the time, because my moods change. Thatas the way I feel.As a painter I donat want to paint a particular situation. I am not abstract, not really non-figurative. I try to be expressive and therefore I need certain images. Today I am in China, tomorrow in Paris, after tomorrow some other place. We are confronted every day with what happens in the world. Youâ re living on a specific spot, but also in the whole world. Itâs maybe therefore that we become so ignorant and hard, because we experience too much. Hunger, war. That particular situation doesnat mean anything anymore.’(jannieuwenhuys.com)


Avant Garde Art 

















Harvey Quaytman - Geometric Abstraction


Harvey Quaytman (1937 - 2002) was a geometric abstraction painter best known for large modernist canvases with powerful monochromatic tones, in layered compositions, often with hard edges - inspired by Malevich and Mondrian. He had more than 60 solo exhibitions in his career, and his works are held in the collections of many top public museums.
In the context of artistic movements, Harvey Quaytman was considered an anachronism. During his career, from the late 1960s to late 1990s, he continued to relentlessly explore Geometric Abstraction and Modernism - fields in which the innovation had been considered largely developed by the end of the 1950s and 1960s. Yet he pushed ahead, and according to critics he became bolder over time - more innovative, assured and successful in each decade. Even in his later years, he was recognized for finding dynamic, new forms of abstraction.
"Quaytman’s paintings are extremely cerebral, yet full of sensual grace. He moved abstract painting beyond the mundane into the realm of cognitive understanding through a heightened sensory involvement with materials and an ultimate clarity of space." -Robert C. Morgan, Brooklyn Rail Photos of the exhibit were posted by Contemporary Art Daily.Wikipedia

















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Stanley Boxer - American Abstract Expressionism


Stanley Boxer (1926-2000) was an American artist best known for thickly painted abstract works of art. He was also an accomplished sculptor and printmaker.
Boxer was born in New York City, and began his formal education after World War II, when he left the Navy and studied at the Art Students League of New York. He drew, painted, made prints, and sculpted. His work was recognized by art critic Clement Greenberg, who categorized him as a color field painter, a designation which Boxer rejected.Art critic Grace Glueck wrote "Never part of a movement or trend, though obviously steeped in the language of Modernism, the abstract painter Stanley Boxer was a superb manipulator of surfaces, intensely bonding texture and color."
Boxer offered an explanation of his philosophy and working process:
 " In the manufacture of my art, I use anything and everything which gets the job done without any sentiment or sancity as to medium. Then, too, I have deliberately made a practice of being "visionless" ... this is, I go where my preceding art takes me, and never try to redirect the future as to what my art should look like. This is a general credo and foundation for everything I have ever done and stands firm in its solidity as this is written."Wikipedia

















https://milenaolesinska.blogspot.com/p/blog-page_50.html