Chohreh Feyzdjou (September 5, 1955 – February 17, 1996) was an Iranian artist
"Chohreh Feyzdjou grew up in Iran in a Jewish family of intellectuals,and moved to Paris in 1975. It was here that she completed her artistic training at the École nationale supérieure des Beaux-Arts, and also learned about the Kabbalah and Sufism. Her untimely death in 1996 put an abrupt end to a unique body of work, which had only just begun to be exhibited in major museums across Europe. Feyzdjou made her name at the start of the 1990s with a vast corpus of objects culled from her atelier and from her past, among them drawings and paintings, all of which she covered with a more or less diffuse layer of black pigment. Each one was carefully catalogued, stored in boxes, in glass jars, in crates and trunks, or wrapped in plastic, put in tubes, stocked on shelves or tables, and in drawers or on scaffolding which were themselves covered in black pigment. Nothing remains identifiable apart from the fact that each element bears the archive reference, “Product of Chohreh Feyzdjou”. While this installation may bring to mind a post-apocalyptic catastrophe, its presentation also evokes the stalls full of goods that can be found in grocery stores and bazars across the Middle East."(awarewomenartists.com)
"Chohreh Feyzdjou grew up in Iran in a Jewish family of intellectuals,and moved to Paris in 1975. It was here that she completed her artistic training at the École nationale supérieure des Beaux-Arts, and also learned about the Kabbalah and Sufism. Her untimely death in 1996 put an abrupt end to a unique body of work, which had only just begun to be exhibited in major museums across Europe. Feyzdjou made her name at the start of the 1990s with a vast corpus of objects culled from her atelier and from her past, among them drawings and paintings, all of which she covered with a more or less diffuse layer of black pigment. Each one was carefully catalogued, stored in boxes, in glass jars, in crates and trunks, or wrapped in plastic, put in tubes, stocked on shelves or tables, and in drawers or on scaffolding which were themselves covered in black pigment. Nothing remains identifiable apart from the fact that each element bears the archive reference, “Product of Chohreh Feyzdjou”. While this installation may bring to mind a post-apocalyptic catastrophe, its presentation also evokes the stalls full of goods that can be found in grocery stores and bazars across the Middle East."(awarewomenartists.com)
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